{"id":213,"date":"2024-05-17T22:23:08","date_gmt":"2024-05-17T22:23:08","guid":{"rendered":"https:\/\/festivalbaroko.cz\/2024\/?page_id=213"},"modified":"2025-04-23T11:57:44","modified_gmt":"2025-04-23T10:57:44","slug":"frantisek-skroup-1801-1862-souborne-provedeni-klavirnich-trii","status":"publish","type":"page","link":"https:\/\/festivalbaroko.cz\/2024\/sample-page\/frantisek-skroup-1801-1862-souborne-provedeni-klavirnich-trii\/","title":{"rendered":"Fr. \u0160kroup:\u00a0Souborn\u00e9 proveden\u00ed klav\u00edrn\u00edch tri\u00ed"},"content":{"rendered":"\n

sobota 1. 6. 2024 v 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci<\/h3>\n\n\n\n
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Program:<\/strong><\/h3>\n\n\n\n

Franti\u0161ek Jan \u0160kroup (1801\u20131862):
Trio facile F dur op. 28 pro klav\u00edr, housle nebo fl\u00e9tnu a violoncello (ca. 1847)<\/h4>\n\n\n\n

I.          Allegretto
II.         Andante grazioso
III.        Scherzo. Allegro vivace
IV.        Finale. Allegro appassionato<\/p>\n\n\n\n

Vojt\u011bch Maty\u00e1\u0161 J\u00edrovec (1763\u20131850):
Son\u00e1ta F dur op. 55 \u010d. 3 pro klav\u00edr, housle a violoncello (1800)<\/h4>\n\n\n\n

I.          Allegro moderato
II.         Adagio
III.        Allegretto<\/p>\n\n\n\n

—-pauza—-<\/p>\n\n\n\n

Franti\u0161ek Jan \u0160kroup (1801\u20131862):
Trio Es dur op. 28 pro klav\u00edr, klarinet nebo housle a violoncello (ca. 1845)<\/h4>\n\n\n\n

I.          Allegro
II.         Andante grazioso
III.        Scherzo. Allegretto
IV.        Finale. Allegro<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Franti\u0161ek \u0160kroup<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Trio Unitas<\/strong><\/h3>\n\n\n\n

Petra Mat\u011bjov\u00e1 \u2013 hammerklavier<\/p>\n\n\n\n

Magdalena Mal\u00e1 \u2013 klasicistn\u00ed housle<\/p>\n\n\n\n

Helena Maty\u00e1\u0161ov\u00e1 \u2013 klasicistn\u00ed violoncello<\/p>\n\n\n\n

Od poloviny 18. stolet\u00ed je doprov\u00e1zen\u00e1 klav\u00edrn\u00ed son\u00e1ta jedn\u00edm z typick\u00fdch \u017e\u00e1nr\u016f. Smy\u010dcov\u00e9 n\u00e1stroje, p\u0159\u00edpadn\u011b fl\u00e9tna, zde maj\u00ed za \u00fakol posilovat dynamiku jemn\u00e9ho kl\u00e1vesov\u00e9ho n\u00e1stroje, kter\u00fdm ran\u011b klasicistn\u00ed klav\u00edr byl. V ran\u011bj\u0161\u00edch son\u00e1t\u00e1ch v\u011bt\u0161inou housle dubluj\u00ed pravou a violoncello levou ruku klav\u00edru, pozd\u011bji ke konci 18. stolet\u00ed se role smy\u010dcov\u00fdch n\u00e1stroj\u016f, zejm\u00e9na housl\u00ed, st\u00e1le v\u00edce osamostat\u0148uj\u00ed. Takov\u00fdm p\u0159\u00edkladem je t\u0159\u00edv\u011bt\u00e1 Son\u00e1ta F dur op. 55 \u010d. 3<\/em> s bohatou harmonickou (1. v\u011bta) a ornament\u00e1ln\u00ed (2. v\u011bta) slo\u017ekou, posledn\u00ed z doprov\u00e1zen\u00fdch klav\u00edrn\u00edch son\u00e1t bud\u011bjovick\u00e9ho rod\u00e1ka Vojt\u011bcha J\u00edrovce.<\/p>\n\n\n\n

T\u011bsn\u011b p\u0159ed polovinou 19. stolet\u00ed je rovnov\u00e1ha rol\u00ed v klav\u00edrn\u00edm triu ji\u017e \u00fapln\u011b jin\u00e1, t\u0159i n\u00e1stroje jsou v podstat\u011b rovnocenn\u00fdmi partnery. Ob\u011b tria, kter\u00e1 n\u00e1m zanechal Franti\u0161ek \u0160kroup (1801\u20131862) jsou ale zna\u010dn\u011b netypick\u00e1. Trio facile F dur op. 28 <\/em>v\u011bnoval Franti\u0161ek \u0160kroup dce\u0159i vydavatele Johanna Hoffmanna, Jeanette. Snadn\u00fd, a\u017e instruktivn\u00ed je zejm\u00e9na klav\u00edrn\u00ed part. Oproti tomu Trio Es dur op. 27 <\/em>je v\u011bnov\u00e1no klav\u00edrn\u00edmu virtuosovi a skladateli Sigismundu Goldschmidtovi (1815\u20131877). Ani v tomto triu v\u0161ak nen\u00ed klav\u00edrn\u00ed part virtu\u00f3zn\u00ed. N\u00e1strojem, kter\u00fd se zcela opa\u010dn\u011b, ne\u017e byla po cel\u00e9 p\u0159edchoz\u00ed stolet\u00ed jeho obvykl\u00e1 role v souboru s houslemi a klav\u00edrem, v obou skladb\u00e1ch v\u00fdrazn\u011b s\u00f3lov\u011b prosazuje, je violoncello.<\/p>\n\n\n\n

\u2013Petra Mat\u011bjov\u00e1<\/em><\/p>\n<\/div>\n\n\n\n

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Trio Unitas<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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fotografie: Michal M\u00e1lek<\/p>\n\n\n\n

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Z\u00e1znam p\u0159edstaven\u00ed<\/h2>\n\n\n\n
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