{"id":281,"date":"2024-05-18T00:26:27","date_gmt":"2024-05-18T00:26:27","guid":{"rendered":"https:\/\/festivalbaroko.cz\/2024\/?page_id=281"},"modified":"2025-04-23T11:57:44","modified_gmt":"2025-04-23T10:57:44","slug":"f-m-knize-pisne-pro-jeden-hlas-pri-kytare","status":"publish","type":"page","link":"https:\/\/festivalbaroko.cz\/2024\/sample-page\/f-m-knize-pisne-pro-jeden-hlas-pri-kytare\/","title":{"rendered":"F. M. Kn\u00ed\u017ee:\u00a0P\u00edsn\u011b\u00a0pro jeden hlas p\u0159i kyta\u0159e"},"content":{"rendered":"\n<h3 class=\"wp-block-heading mezera\">st\u0159eda 5. 6. v&nbsp;19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/05\/mozart_titul-1.jpg\" alt=\"\" class=\"wp-image-323\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/05\/mozart_titul-1.jpg 800w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/05\/mozart_titul-1-300x225.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/05\/mozart_titul-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading mezera\"><strong>Program:<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 9<br><em>Freundschaft oder Liebe<\/em><br><em>Die Klage<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 18<br><em>Vy\u0161ehrad<\/em><br><em>L\u00e1sky bla\u017eenost<\/em><br><em>D\u00edvka nezn\u00e1m\u00e1<\/em><br><em>Zastaven\u00ed\u010dko<\/em><br><em>Der K\u00f6nig in Thule<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 15<br><em>Chasse<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 17<br><em>Mein Schicksal<\/em><br><em>An Amalien<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 12<br><em>Die drei Sterne<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Svazek III p\u00edsn\u00ed \u010desk\u00fdch<br><em>Modr\u00e9 o\u010di<\/em><br><em>Vzdych\u00e1n\u00ed<\/em><br><em>Rozj\u00edt\u00ed<\/em><br><em>Zklaman\u00e1 l\u00e1ska<\/em><br><em>Sou\u017een\u00ed l\u00e1sky<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 5<br><em>Thema con variazioni<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 22<br><em>Wanderlieder<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op. 21<br><em>D\u00edvka v\u011brn\u00e1<\/em><br><em>B\u0159etislav<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Ond\u0159ej Benek \u2013 tenor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Tul\u00e1\u010dek \u2013 Romantick\u00e1 kytara<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-5 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"473\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096-1024x683.jpg\" alt=\"\" class=\"wp-image-473\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0096.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"479\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127-1024x683.jpg\" alt=\"\" class=\"wp-image-479\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/9Y3A0127.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"474\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260-1024x683.jpg\" alt=\"\" class=\"wp-image-474\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0260.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"478\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261-1024x683.jpg\" alt=\"\" class=\"wp-image-478\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0261.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"480\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263-1024x683.jpg\" alt=\"\" class=\"wp-image-480\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0263.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"476\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265-1024x683.jpg\" alt=\"\" class=\"wp-image-476\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0265.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"475\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268-1024x683.jpg\" alt=\"\" class=\"wp-image-475\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0268.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"481\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271-1024x683.jpg\" alt=\"\" class=\"wp-image-481\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0271.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"477\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281-1024x683.jpg\" alt=\"\" class=\"wp-image-477\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0281.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294.jpg\" data-lbwps-width=\"1620\" data-lbwps-height=\"1080\" data-lbwps-srcsmall=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294-300x200.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"482\" src=\"http:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294-1024x683.jpg\" alt=\"\" class=\"wp-image-482\" srcset=\"https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294-1024x683.jpg 1024w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294-300x200.jpg 300w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294-768x512.jpg 768w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294-1536x1024.jpg 1536w, https:\/\/festivalbaroko.cz\/2024\/wp-content\/uploads\/2024\/06\/IMG_0294.jpg 1620w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">fotografie: Michal M\u00e1lek<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Z\u00e1znam p\u0159edstaven\u00ed<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"P\u00edsn\u011b pro jeden hlas p\u0159i kyta\u0159e\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/VPMs2Tfeknc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-default\"\/>\n\n\n\n<h2 class=\"wp-block-heading mezera\"><strong>Franti\u0161ek Max Kn\u00ed\u017ee<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201e&#8230;uzn\u00e1van\u00fd vlasteneck\u00fd skladatel, kter\u00fd se proslavil sv\u00fdmi p\u00eds\u0148ov\u00fdmi skladbami (kdo by neznal jeho B\u0159etislava a mnoho dal\u0161\u00edch),\u201c<\/em> p\u00ed\u0161e Franti\u0161ek \u0160kroup u p\u0159\u00edle\u017eitosti posmrtn\u00e9ho vyd\u00e1n\u00ed Kn\u00ed\u017eetovy <em>Pastor\u00e1ln\u00ed m\u0161e D-dur<\/em> v roce 1843.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Skute\u010dn\u011b, n\u011bkolik z t\u011bch celkem \u0161estn\u00e1cti \u010desk\u00fdch p\u00edsn\u00ed s doprovodem kytary nebo klav\u00edru vydan\u00fdch ve t\u0159ech se\u0161itech zlidov\u011blo a zejm\u00e9na balada <em>B\u0159etislaw<\/em> (\u201cKdy\u017e m\u011bs\u00ed\u010dek spanile sv\u00edtil\u201c) se \u0161\u00ed\u0159ila v mnoha opisech. Byla vyd\u00e1v\u00e1na opakovan\u011b v \u010desk\u00fdch zp\u011bvn\u00edc\u00edch, ale tak\u00e9 v n\u011bmeck\u00e9mp\u0159ekladu a dochovaly se i parodie. Tato p\u00edse\u0148 o \u201eryt\u00ed\u0159sk\u00e9m \u010dinu sympatick\u00e9ho na\u0161eho kn\u00ed\u017eete\u201c se stala jedn\u00edm z nejv\u011bt\u0161\u00edch \u010desk\u00fdch p\u00eds\u0148ov\u00fdch hit\u016f 19. stolet\u00ed. Je zaj\u00edmav\u00e9, \u017ee text barvit\u011b popisuj\u00edc\u00ed \u00fanos Jitky ze svinibrodsk\u00e9ho kl\u00e1\u0161tera je sv\u00fdm epick\u00fdm charakterem bl\u00edzk\u00fd kram\u00e1\u0159sk\u00e9 p\u00edsni a vymyk\u00e1 se obvykl\u00e9mu dobov\u00e9mu lyrick\u00e9mu typu. My jsme se rozhodli pro verzi, kterou si i s hudebn\u00edm doprovodem opsal z p\u016fvodn\u00edho vyd\u00e1n\u00ed Karel Hynek M\u00e1cha a m\u00edsty vylep\u0161il p\u016fvodn\u00ed Hukal\u016fv text. M\u00e1cha um\u011bl hr\u00e1t na kytaru a Kn\u00ed\u017eetovy p\u00edsn\u011b <em>B\u0159etislaw<\/em> a <em>Djwka v\u011brn\u00e1<\/em>pr\u00fd m\u011bl ve velk\u00e9 oblib\u011b. To snad m\u016f\u017eeme Sabinovi, kter\u00fd n\u00e1m tuto vzpom\u00ednku zachoval, v\u011b\u0159it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franti\u0161ek Max Kn\u00ed\u017ee byl ze sedmi sourozenc\u016f z\u0159ejm\u011b jedin\u00fd, kdo se do\u017eil dosp\u011blosti. Franti\u0161k\u016fv otec Tom\u00e1\u0161 Kn\u00ed\u017ee, \u0161af\u00e1\u0159 na tachlovick\u00e9m panstv\u00ed z\u00e1padn\u011b od Prahy (zmi\u0148ov\u00e1n n\u011bkdy jako ov\u010d\u00e1k), si vzal vdovu Kate\u0159inu Kr\u00e1lovou z Ho\u0159elic 29. \u0159\u00edjna 1776. Franti\u0161ek se narodil 7. z\u00e1\u0159\u00ed 1784 v Drahel\u010dic\u00edch v dom\u011b \u010dp. 4.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dlouho pak nem\u00e1me o F. M. Kn\u00ed\u017eeti t\u00e9m\u011b\u0159 \u017e\u00e1dn\u00e9 informace. A\u017e jako 29let\u00e9ho jej zastihujeme v Praze.Provin\u010dn\u00ed Praha, kde st\u00e1le siln\u011b p\u016fsob\u00ed vliv osv\u00edcenstv\u00ed a hudebn\u00ed kultura ji\u017e sp\u00ed\u0161e jen t\u011b\u017e\u00ed ze vzpom\u00ednek na proslulost \u201eMozartova\u201c m\u011bsta, se po bitv\u011b u Jeny (1806) st\u00e1v\u00e1, by\u0165 na chv\u00edli,st\u0159edem romantick\u00e9ho hnut\u00ed. Do Napoleonem neobsazen\u00fdch \u010cech p\u0159es\u00eddlili n\u011bme\u010dt\u00ed b\u00e1sn\u00edci a spisovatel\u00e9 jako Achim von Arnim, Clemens Brentano, Theodor K\u00f6rner a dal\u0161\u00ed. Rakousk\u00fd st\u00e1tn\u00ed bankrot roku 1811 pak znamenal omezen\u00ed finan\u010dn\u00edch mo\u017enost\u00ed mecen\u00e1\u0161\u016f, byly rozpou\u0161t\u011bny \u0161lechtick\u00e9 kapely a hudebn\u00ed produkce se p\u0159esouvaj\u00ed do m\u011b\u0161\u0165ansk\u00fdch sal\u00f3n\u016f. M\u016f\u017eeme spekulovat, zda Kn\u00ed\u017ee nenabyl sv\u00e9 jist\u011b zna\u010dn\u00e9 zb\u011bhlosti ve h\u0159e na n\u011bkolik n\u00e1stroj\u016f nejd\u0159\u00edve pr\u00e1v\u011b v n\u011bkter\u00e9 takov\u00e9 kapele.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teprve 9. dubna 1813 nal\u00e9z\u00e1me zm\u00ednku o \u00fa\u010dasti Franti\u0161ka Maxe Kn\u00ed\u017eete p\u0159i proveden\u00ed kvartetu pro fl\u00e9tnu, housle, violu a kytaru skladatele Johanna G\u00e4nsbachera (1778\u20131844) v r\u00e1mci \u201eve\u010dern\u00ed hudebn\u00ed z\u00e1bavy\u201c v Praze. O tomto koncertu v Redutn\u00edm s\u00e1le,na kter\u00e9m zazn\u011bl pro svou dobu typick\u00fd dramaturgick\u00fd mix orchestr\u00e1ln\u00edch kus\u016f, opern\u00edch \u00e1ri\u00ed a komorn\u00ed hudby, se pochvaln\u011b vyjad\u0159uje recenze Carl Marii von Webera (1786\u20131826) pro list<em> Der Sammler.<\/em> Weber toti\u017e, pr\u00e1v\u011b z\u00e1sluhou p\u0159\u00edtele G\u00e4nsbachera, nastoupil 1. dubna t\u00e9ho\u017e roku do funkce kapeln\u00edka pra\u017esk\u00e9ho Stavovsk\u00e9ho divadla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Weber r\u00e1zn\u011b za\u010dal sv\u00e9 t\u0159\u00edlet\u00e9 p\u016fsoben\u00ed v&nbsp;Praze rozpu\u0161t\u011bn\u00edm opern\u00edho souboru. Ihned anga\u017eoval hudebn\u00edky a zp\u011bv\u00e1ky do nov\u011b budovan\u00e9ho ans\u00e1mblu a zde ji\u017e nal\u00e9z\u00e1me Kn\u00ed\u017eete u pultu viol. Ve Weberov\u011b seznamu hudebn\u00edk\u016f opery z roku 1816 je u jeho jm\u00e9na pozn\u00e1mka: \u201ehraje tak\u00e9 na kytaru a fagot\u201c. Jako violista a fagotista byl Kn\u00ed\u017ee \u010dlenem orchestru Stavovsk\u00e9ho divadla dlouh\u00e1 l\u00e9ta, naposledy je tak zm\u00edn\u011bn roku 1838. Ve Weberov\u00fdch den\u00edc\u00edch z pra\u017esk\u00e9ho obdob\u00ed figuruje n\u011bkolikr\u00e1t jako kump\u00e1n v kav\u00e1rn\u011b, p\u0159i pun\u010di a na plov\u00e1rn\u011b (roku 1815 byla na d\u0159ev\u011bn\u00fdch lod\u00edch na Vltav\u011b z\u0159\u00edzena v\u011bt\u0161\u00ed plaveck\u00e1 \u0161kola). Kn\u00ed\u017ee pak dvakr\u00e1t nav\u0161t\u011bvuje Webera je\u0161t\u011b i v jeho nov\u00e9m p\u016fsobi\u0161ti v Dr\u00e1\u017e\u010fanech a doprov\u00e1z\u00ed ho v \u0159\u00edjnu 1817 do Prahy, kam Weber p\u0159ij\u00ed\u017ed\u00ed na svatbu se svou nev\u011bstou, tehdy zp\u011bva\u010dkou Stavovsk\u00e9ho divadla, Carolinou Brandtovou.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00e1clav Jan Tom\u00e1\u0161ek (1774\u20131850), zn\u00e1m\u00fd pra\u017esk\u00fd hudebn\u00ed skladatel a pedagog, uv\u00e1d\u00ed Kn\u00ed\u017eete v seznamu sv\u00fdch \u017e\u00e1k\u016f v roce 1814 (seznamy z let 1803\u20131813 se ov\u0161em nedochovaly). Kn\u00ed\u017eeti bylo tehdy t\u0159icet let a musel se hudebn\u00ed skladb\u011b v\u011bnovat ji\u017e p\u0159edt\u00edm. Sv\u00e9 prvn\u00ed kompozice za\u010dal publikovat u v\u00fdznamn\u00e9ho pra\u017esk\u00e9ho nakladatele Marca Berry. Jsou to v\u011bt\u0161inou kr\u00e1tk\u00e9 nen\u00e1ro\u010dn\u00e9 kusy, tance a variace pro s\u00f3lovou kytaru. V listu <em>Prager Zeitung<\/em> bylo v kv\u011btnu roku 1814 ozn\u00e1meno vyd\u00e1n\u00ed Kn\u00ed\u017eetov\u00fdch kytarov\u00fdch opus\u016f \u010d\u00edslo 4, 6, 7 a 8. Dal\u0161\u00ed rychle n\u00e1sledovaly a v\u0161ech celkem 14 dochovan\u00fdch opus\u016f ur\u010den\u00fdch pro s\u00f3lovou kytaru bylo vyd\u00e1no do roku 1818. Ze strany z\u00e1kazn\u00edka, doma muzic\u00edruj\u00edc\u00edho amat\u00e9rsk\u00e9ho kytaristy, zde byl patrn\u00fd velk\u00fd z\u00e1jem o dal\u0161\u00ed a dal\u0161\u00ed pokud mo\u017eno pohodln\u011b hrateln\u00e9 a l\u00edbiv\u00e9 skladby. Kn\u00ed\u017ee vych\u00e1zel vst\u0159\u00edc tomuto po\u017eadavku i popt\u00e1vce po \u00faprav\u00e1ch popul\u00e1rn\u00edch opern\u00edch \u010di tane\u010dn\u00edch melodi\u00ed pro kytaru.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kytara byla m\u00f3dn\u00edm n\u00e1strojem po\u010d\u00e1tku 19. stolet\u00ed a Kn\u00ed\u017ee jist\u011b v\u011bnoval nem\u00e1lo \u010dasu v\u00fduce hry na tento n\u00e1stroj. N\u011bkolik opus\u016f je ji\u017e roku 1814 v\u011bnov\u00e1no jeho \u017e\u00e1k\u016fm, jak je v\u00fdslovn\u011b uvedeno na tituln\u00ed stran\u011b. V \u010cesk\u00e9m muzeu hudby se dochovaly Kn\u00ed\u017eetovy autografy kytarov\u00fdch skladeb pro hrab\u011bte Eduarda Clam-Gallase. Roku 1820 vydal Kn\u00ed\u017ee prvn\u00ed d\u00edl sv\u00e9 podrobn\u00e9 kytarov\u00e9 \u0161koly <em>Vollstaendige Guitarre-Schule <\/em>(\u201edle vlastn\u00edch n\u00e1zor\u016f s ohledem na nejlep\u0161\u00ed \u0161koly\u201c) a roku 1822 druh\u00fd d\u00edl, ob\u011b u nakladatele Enderse v Praze. Pod sv\u00fdm jm\u00e9nem uv\u00e1d\u00ed: \u201eskladatel a teoreticko-praktick\u00fd u\u010ditel\u201c. <em>Vollstaendige Guitarre-Schule<\/em> je jedin\u00e1 kytarov\u00e1 \u0161kola na \u00fazem\u00ed Rakousk\u00e9ho c\u00edsa\u0159stv\u00ed vydan\u00e1 jinde ne\u017e ve V\u00eddni. Roku 1825 vych\u00e1z\u00ed je\u0161t\u011b zkr\u00e1cen\u00e1 verze pod n\u00e1zvem <em>Fundament f\u00fcr die Guitarre<\/em>. O deset let pozd\u011bji si tuto \u0161kolu opsal a p\u0159elo\u017eil do \u010de\u0161tiny M\u00e1cha a v\u011bnoval ji sv\u00e9 Lori pod n\u00e1zvem \u201ePo\u010d\u00e1tkow\u00e9 cwj\u010denj se we h\u0159e na Guittarru\u201c. Rukopis je dnes bohu\u017eel ztracen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vra\u0165me se je\u0161t\u011b do roku 1816, kdy v Praze koncertuje Mauro Giuliani, nejv\u011bt\u0161\u00ed kytarista sv\u00e9 doby. Je o t\u0159i roky star\u0161\u00ed ne\u017e Kn\u00ed\u017ee, kter\u00fd mu v\u011bnoval sv\u00e9 Variace op. 4. Za Weberova \u0159\u00edzen\u00ed hraje Giuliani s velk\u00fdm \u00fasp\u011bchem vlastn\u00ed koncert pro kytaru a orchestr op. 30 a tak\u00e9 pot-pourri pro dv\u011b kytary, kde ho doprov\u00e1z\u00ed na druhou kytaru Joseph Sellner, hobojista a Kn\u00ed\u017eet\u016fv kolega z orchestru. Lze se jen dohadovat, pro\u010d se Kn\u00ed\u017ee \u2013 \u201evirtuos na kytaru\u201c, jak ho dobov\u00fd tisk ozna\u010doval \u2013 nestal tehdy Giulianiho spoluhr\u00e1\u010dem. Weber ve zpr\u00e1v\u011b o tomto koncertu napsal: \u201ePot-Pourri pro dv\u011b kytary, a\u010dkoli je pan Sellner doprov\u00e1zel se ct\u00ed, bylo m\u00e9n\u011b uspokojiv\u00e9 a zd\u00e1lo se m\u00e9n\u011b bohat\u00e9, zbaven\u00e9 st\u00ednu a sv\u011btla, kter\u00e9 d\u00e1v\u00e1 orchestr\u00e1ln\u00ed doprovod.\u201c<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kl\u00ed\u010dem k Franti\u0161ku Maxi Kn\u00ed\u017eeti jako skladateli v\u0161ak ur\u010dit\u011b nejsou jeho vydan\u00e9 s\u00f3lov\u00e9 kytarov\u00e9 kusy. Je to jeho tvorba p\u00eds\u0148ov\u00e1 a pozd\u011bji i cen\u011bn\u00e1 a obl\u00edben\u00e1 hudba chr\u00e1mov\u00e1. Snad jen dodnes hran\u00e9 drobn\u00e9 kytarov\u00e9 <em>Capricio<\/em> z op. 15 m\u00e1 ducha Kn\u00ed\u017eetov\u00fdch romantick\u00fdch p\u00edsn\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prvn\u00ed sb\u00edrku p\u011bti n\u011bmeck\u00fdch p\u00edsn\u00ed vydal v roce 1815 jako sv\u016fj op. 9. N\u00e1sleduje op. 12 s p\u011bti zhudebn\u011bn\u00fdmi b\u00e1sn\u011bmi ji\u017e zm\u00edn\u011bn\u00e9ho n\u011bmeck\u00e9ho autora T. K\u00f6rnera, v\u0161e vyd\u00e1no v nakladatelstv\u00ed Marca Berry. Op. 13 (<em>6 Lieder<\/em>, vydan\u00e9 u Enderse v Praze) se bohu\u017eel nepoda\u0159ilo lokalizovat. Op. 17 obsahuje t\u0159i n\u011bmeck\u00e9 p\u00edsn\u011b, dv\u011b z nich jsou zhudebn\u011bn\u00edm juvenili\u00ed pozd\u011bji v\u00e1\u017een\u00e9ho pra\u017esk\u00e9ho soudce a c.k. tajn\u00e9ho rady Leopolda O. Henneta. Vesm\u011bs jsou tyto v\u00fd\u0161e uveden\u00e9 n\u011bmeck\u00e9 p\u00edsn\u011b ps\u00e1ny pro barytonov\u00fd hlas. Jejich melodika s ozdobami (obaly a oporami) je ovlivn\u011bna singspielem a operou . Autor \u010dasto vypisuje pokyny pro zm\u011bnu tempa a charakteru v\u00fdrazu. A\u017e na jednu v\u00fdjimku, v p\u0159\u00edpad\u011b kr\u00e1tk\u00e9 p\u00edsn\u011b <em>Mein Schicksal,<\/em> jsou to p\u00edsn\u011b strofick\u00e9.V\u0161echny jsou doprov\u00e1zeny kytarou. Maj\u00ed p\u0159edehry a dohry, ale vlastn\u00ed doprovod je stylizov\u00e1n velmi \u00fasporn\u011b a efektivn\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K prvn\u00ed \u010desk\u00e9 sb\u00edrce op. 18 <em>Patero Pjsnj pro geden hlas p\u0159i kyta\u0159e neb fortepianu w hudbu uweden\u00fdch a ob\u011btowan\u00fdch swemu P\u0159iteli a Wlastenci W\u00c1CLAWOWI R\u016e\u017dKOWI od FR: MAX: KNJ\u017dE v<\/em>ydan\u00e9 op\u011bt u M. Berry v roce 1818 p\u0159ipojil Kn\u00ed\u017ee \u201eP\u0159ipomenut\u00ed\u201c, kter\u00e9 p\u0159i zachov\u00e1n\u00ed p\u016fvodn\u00ed ortografie zn\u00ed:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Pjsn\u011b tyto toliko k sw\u00e9 ljbosti sem slo\u017eil, \u017e\u00e1dage se blj\u017eiti k n\u00e1rodnjm zwuk\u016fm, J ljbily se mnoh\u00fdm kter\u00fd sly\u0161eli ge, a \u017e\u00e1dali, bych ge u we\u0159egnost wydal, pro\u010de\u017e osm\u011blugi se k tomu gegich slowem, a a\u010d tento zp\u016fsob hudebnj, toti\u017e bezew\u0161eho stejnokro\u010dn\u00e9ho chodu (taktu) \u017e\u00e1dn\u00e1 nowota nenj, p\u0159ec aspo\u0148 zde dw\u011bma pjsn\u011bma za\u010djn\u00e1m cosi pon\u011bkolik w\u011bk\u016f neb\u00fdwal\u00e9ho. \u017d\u00e1d\u00e1m ale, aby nebyly posuzowan\u00fd dle fortepiana, neb wlastn\u011b pro kytaru skl\u00e1d\u00e1n\u00fd gsau, a toliko na \u017e\u00e1dost k nim fortepiano p\u0159ipogeno.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alternativn\u00ed verze doprovodu na klav\u00edr je skute\u010dn\u011b t\u00e9m\u011b\u0159 beze zm\u011bny p\u0159epsan\u00fd kytarov\u00fd part a tak tomu bude i u v\u0161ech dal\u0161\u00edch Kn\u00ed\u017eetov\u00fdch p\u00edsn\u00ed. Daleko zaj\u00edmav\u011bj\u0161\u00ed je zm\u00ednka o n\u00e1rodn\u00edch zvuc\u00edch a neb\u00fdvalosti p\u00edsn\u00ed psan\u00fdch bez metrick\u00e9ho ozna\u010den\u00ed. Kn\u00ed\u017ee zhudeb\u0148uje i ve sv\u00fdch dal\u0161\u00edch \u010desk\u00fdch p\u00edsn\u00edch v\u011bt\u0161inou b\u00e1sn\u011b V\u00e1clava Hanky (1791\u20131861). Zde se v\u0161ak zam\u011b\u0159me na p\u00edse\u0148 <em>Wy\u0161ehrad<\/em>, kter\u00e1 je zdaleka nejorigin\u00e1ln\u011bj\u0161\u00ed z cel\u00e9 sb\u00edrky. Zaj\u00edmav\u00e9 je ji\u017e to, \u017ee se jedn\u00e1 o zhudebn\u011bn\u00ed tzv. \u201eP\u00edsn\u011b vy\u0161ehradsk\u00e9\u201c, toti\u017e prvn\u00edho rukopisn\u00e9ho pad\u011blku z Hankovy d\u00edlny, kter\u00fd byl \u201enalezen\u201c v roce 1816. Kn\u00ed\u017ee text samoz\u0159ejm\u011b pova\u017eoval za p\u016fvodn\u00ed \u201ez XII-ho w\u011bku\u201c. Slo\u017eil k n\u011bmu prokomponovanou hudbu, kter\u00e1 nem\u00e1 takty, ka\u017ed\u00e1 fr\u00e1ze kon\u010d\u00ed korunou, ka\u017ed\u00fd ver\u0161 m\u00e1 p\u0159edeps\u00e1n specifick\u00fd zp\u016fsob p\u0159ednesu a hudba neust\u00e1le dramaticky moduluje a m\u011bn\u00ed charakter. Kn\u00ed\u017ee hledal hudebn\u00ed tvar, kter\u00fdm by vhodn\u011b doplnil \u201estarobylou\u201c b\u00e1se\u0148 a z\u0159ejm\u011b si p\u0159edstavoval improvizace staro\u010desk\u00fdch bard\u016f na ono pov\u011bstn\u00e9 \u201evaryto zvu\u010dno\u201c, jak tomu nasv\u011bd\u010duje u\u017eit\u00ed arpeggiovan\u00fdch akord\u016f, zn\u00e1m\u00e9 i pozd\u011bji z daleko slavn\u011bj\u0161\u00edho <em>Vy\u0161ehradu<\/em> z <em>M\u00e9 vlasti<\/em>. Vtipn\u00e9 je, \u017ee i rytmus a melodick\u00fd obrys kr\u00e1tk\u00e9 fr\u00e1ze na konci p\u0159edehry Kn\u00ed\u017eetova W<em>y\u0161ehradu<\/em> je toto\u017en\u00fd s on\u011bmi Smetanov\u00fdmi \u201eharfami v\u011b\u0161tc\u016f\u201c. P\u00edse\u0148 <em>Djwka nezn\u00e1m\u00e1<\/em> je tak\u00e9 zpracov\u00e1na bez vyzna\u010den\u00e9ho metra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pod opusov\u00fdm \u010d\u00edslem 21 vydal Kn\u00ed\u017ee druh\u00fd se\u0161it p\u011bti \u010desk\u00fdch p\u00edsn\u00ed <em>Pisn\u011b pro geden hlas p\u0159i Kyta\u0159e neb Forte-Pianu w hudbu uweden\u00e9 a Wysoce Urozen\u00e9 Sle\u010dn\u011b A\u017eb\u011bt\u011b z \u0160liku hrab\u011bnce na Pasaunu a na Bjl\u00e9m Kostelci ob\u011btowan\u00e9 od FR: MAX: KNJ\u017dE<\/em> pravd\u011bpodobn\u011b v roce 1819. Na prvn\u00edm vyd\u00e1n\u00ed t\u00e9to sb\u00edrky nen\u00ed uvedeno jm\u00e9no vydavatele, adresa ani \u010d\u00edslo tisku. Kn\u00ed\u017ee p\u00ed\u0161e Hankovi a \u017e\u00e1d\u00e1 ho o p\u0159\u00e1telskou pomoc: chce p\u00edsn\u011b poslat hrab\u011bnce \u0160likov\u00e9 a pot\u0159ebuje aby mu Hanka (z\u0159ejm\u011b n\u011bmeck\u00e9) v\u011bnov\u00e1n\u00ed trochu \u201ewy\u0161\u0148o\u0159il\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Krom\u011b ji\u017e zm\u00edn\u011bn\u00e9ho<em>&nbsp; B\u0159etislawa<\/em> a dal\u0161\u00edch obsahuje tento druh\u00fd se\u0161it tak\u00e9 kuri\u00f3zn\u00ed \u010desko-ruskou p\u00edse\u0148 z obdob\u00ed napoleonsk\u00fdch v\u00e1lek l\u00ed\u010d\u00edc\u00ed v\u011brnost d\u00edvky, kter\u00e1 prohl\u00e9dla vymy\u0161lenou historku rusk\u00fdch voj\u00e1k\u016f sna\u017e\u00edc\u00edch se ji sv\u00e9st.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hlavn\u011b na z\u00e1klad\u011b t\u011bchto dvou \u010desk\u00fdch sb\u00edrek se Kn\u00ed\u017ee \u201eco d\u016fstojn\u00fd n\u00e1stupce a soupe\u0159 Tom\u00e1\u0161ka v oboru proston\u00e1rodn\u00edch p\u00edsn\u00ed osv\u011bd\u010dil\u201c. Je pravdou, \u017ee melodika v\u011bt\u0161iny Kn\u00ed\u017eetov\u00fdch \u010desk\u00fdch p\u00edsn\u00ed je jin\u00e1, mo\u017en\u00e1 opravdu lidov\u011bj\u0161\u00ed a prost\u0161\u00ed, i kdy\u017e o podobnosti t\u0159eba <em>B\u0159etislawa<\/em> s p\u0159edstavou ide\u00e1lu nezka\u017een\u00e9 \u010desk\u00e9 lidov\u00e9 p\u00edsn\u011b, k jejich\u017e sb\u011bru vyz\u00fdval Hanka roku 1814, si dovol\u00edme pochybovat. Kn\u00ed\u017ee si ve sv\u00fdch \u010desk\u00fdch p\u00edsn\u00edch pohr\u00e1v\u00e1 s \u010dlen\u011bn\u00edm na periody a \u010dasto p\u0159id\u00e1v\u00e1 fr\u00e1zi melodie nebo p\u00e1r takt\u016f dohry nav\u00edc, tak\u017ee o\u010dek\u00e1van\u00e1 pravidelnost miz\u00ed. Mo\u017en\u00e1 to m\u00e1 b\u00fdt jak\u00fdsi rys odli\u0161uj\u00edc\u00ed \u010deskou od n\u011bmeck\u00e9 soudob\u00e9 p\u00edsn\u011b?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hudbymilovn\u00e9 hrab\u011bnce Elise von Schlick je\u0161t\u011b pozd\u011bji vepsal Kn\u00ed\u017ee do pam\u00e1tn\u00edku s datem 12. 7. 1821 jinde nepublikovanou baladu na Goethovu b\u00e1se\u0148 z Fausta. Je to jedin\u00e1 jeho p\u00edse\u0148 psan\u00e1 pouze s doprovodem klav\u00edru, ov\u0161em stylizace doprovodu je kytarov\u00e1 a velmi podobn\u00e1 t\u00e9 z&nbsp;p\u00edsn\u011b <em>B\u0159etislaw.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dochovala se n\u00e1m tak\u00e9, poprv\u00e9 snad v pod\u00e1n\u00ed Franti\u0161ka Ba\u010dkovsk\u00e9ho (1888), zvl\u00e1\u0161tn\u00ed \u201evlasteneck\u00e1\u201c historka, kter\u00e1 by se musela odehr\u00e1t n\u011bkdy po roce 1817: Kn\u00ed\u017ee pr\u00fd zhudebnil b\u00e1se\u0148 n\u00e1rodn\u00edho buditele Franti\u0161ka \u0160\u00edra (1796\u20131867)<em> Bitva na \u017di\u017ekov\u011b <\/em>(my\u0161lena tedy husitsk\u00e1 bitva na V\u00edtkov\u011b) \u201ea sestavil mohutn\u00fd sbor 300 mu\u017esk\u00fdch hlas\u016f, kter\u00fd ji na Stavovsk\u00e9m divadle pra\u017esk\u00e9m p\u0159edn\u00e9sti m\u011bl.\u201c Produkce v\u0161ak byla policejn\u011b zak\u00e1z\u00e1na.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Roku 1822 vydal Kn\u00ed\u017ee sv\u00e9 posledn\u00ed opusovan\u00e9 d\u00edlo (op. 22). Je to tentokr\u00e1t cyklus n\u011bmeck\u00fdch p\u00edsn\u00ed <em>Wanderlieder<\/em> s doprovodem kytary \u010di klav\u00edru. Je ot\u00e1zkou, zda Wilhelm Marsano (1797\u20131871), pra\u017esk\u00fd rod\u00e1k, b\u00e1sn\u00edk, libretista a voj\u00e1k, napsal d\u011bjov\u011b prov\u00e1zan\u00fd cyklus \u0161esti b\u00e1sn\u00ed p\u0159\u00edmo pro Kn\u00ed\u017eete. Ka\u017edop\u00e1dn\u011b nebyly p\u0159ed t\u00edmto prvn\u00edm zhudebn\u011bn\u00edm publikov\u00e1ny a teprve pozd\u011bji se cyklus stal zn\u00e1m\u011bj\u0161\u00edm ve zhudebn\u011bn\u00ed Heinricha Marschnera. N\u00e1m\u011bt je vysloven\u011b romantick\u00fd \u2013 zamilovanost, neop\u011btovan\u00e1 l\u00e1ska, pou\u0165, n\u00e1vrat dom\u016f (hudba z prvn\u00ed \u010d\u00e1sti se t\u00e9\u017e vrac\u00ed) a tragick\u00fd konec. Ka\u017ed\u00e1 p\u00edse\u0148 m\u016f\u017ee b\u00fdt hr\u00e1na samostatn\u011b, ale teprve celek p\u016fsob\u00ed svou sev\u0159enost\u00ed. Je to v\u016fbec prvn\u00ed cyklus p\u00edsn\u00ed komponovan\u00fd p\u016fvodn\u011b s kytarov\u00fdm doprovodem. Typ <em>Wanderlieder<\/em> je poetick\u00fdm \u017e\u00e1nrem sui generis, velmi obl\u00edben\u00fd v ran\u00e9m romantismu, ale i pozd\u011bji.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kn\u00ed\u017ee je\u0161t\u011b nem\u011bl probl\u00e9m s pozd\u011bji \u010d\u00edm d\u00e1l vyhran\u011bn\u011bj\u0161\u00edm protikladem \u010desk\u00e9 versus n\u011bmeck\u00e9 kultury a jako v\u011bt\u0161ina ostatn\u00edch z prvn\u00ed generace \u010desk\u00fdch obrozenc\u016f se pohyboval v pra\u017esk\u00fdch kruz\u00edch jak n\u011bmeckojazy\u010dn\u00fdch, tak \u010deskojazy\u010dn\u00fdch.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kn\u00ed\u017ee se o\u017eenil s p\u0159edn\u00ed here\u010dkou Stavovsk\u00e9ho divadla Terezi\u00ed Brunetti (1782\u20131864) n\u011bkdy po t\u00e9, co v roce 1823 zem\u0159el jej\u00ed prvn\u00ed man\u017eel. Brunettiov\u00e1 p\u0159ed lety krut\u011b zlomila srdce Weberovi, o \u010dem\u017e Z. N\u011bmec v knize \u201eWeberova pra\u017esk\u00e1 l\u00e9ta\u201c p\u00ed\u0161e:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Brzy po sv\u00e9m p\u0159\u00edchodu podlehl (Weber) vyz\u00fdvav\u00e9 kr\u00e1se Terezie Freyov\u00e9; Freyov\u00e1&#8230; se provdala za tane\u010dn\u00edho mistra signora Brunettiho, kter\u00fd znamenit\u011b prov\u00e1d\u011bl sv\u016fj mistrovsk\u00fd kousek \u2013 vyj\u00edt t\u0159i kroky nahoru po kolm\u00e9 zdi. Brunettiov\u00e1, koketn\u00ed plavovl\u00e1ska kr\u00e1sn\u00fdch modr\u00fdch o\u010d\u00ed a ohniv\u00e9ho temperamentu, byla sice v roce 1813 ji\u017e \u010dtrn\u00e1ct let vd\u00e1na a m\u011bla ji\u017e dvan\u00e1ctiletou dceru, to j\u00ed v\u0161ak nep\u0159ek\u00e1\u017eelo, aby nez\u016fstala neomezenou a hodn\u011b rozmarnou pan\u00ed mu\u017esk\u00fdch srdc\u00ed.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kn\u00ed\u017ee \u00fadajn\u011b p\u0159ed jej\u00edm oknem \u010dasto v noci koncertoval, jak zmi\u0148uje O. Teuber (<em>Geschichte des Prager Theaters<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Roku 1826 vyd\u00e1v\u00e1 Kn\u00ed\u017ee sb\u00edrku cvi\u010den\u00ed pro zp\u011bv\u00e1ky <em>Charakteristische Sing\u00fcbungen<\/em>. V t\u00e9m\u017ee roce m\u011bla ve Stavovsk\u00e9m divadle premi\u00e9ru jeho \u201ebaletn\u00ed sm\u00ed\u0161enina s Policinellem\u201c <em>P\u0159elst\u011bn\u00fd sta\u0159ec<\/em>. V\u00edme, \u017ee Kn\u00ed\u017ee napsal hudbu je\u0161t\u011b k n\u011bkolika pantomim\u00e1m, ta je v\u0161ak dnes nezv\u011bstn\u00e1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Posledn\u00ed, t\u0159et\u00ed se\u0161it \u010desk\u00fdch p\u00edsn\u00ed vy\u0161el bez opusov\u00e9ho \u010d\u00edsla a\u017e v roce 1829 v nov\u00e9m pra\u017esk\u00e9m nakladatelstv\u00ed V\u00e1clava Alexe Ryby (syna ro\u017emit\u00e1lsk\u00e9ho kantora J. J. Ryby). Poda\u0159ilo se nal\u00e9zt zaj\u00edmav\u00fd detail o Kn\u00ed\u017eetov\u011b kompozi\u010dn\u00ed pr\u00e1ci \u2013 vjednom z dochovan\u00fdch dopis\u016f \u017e\u00e1d\u00e1 Kn\u00ed\u017ee Hanku o p\u0159eklad p\u0159ilo\u017een\u00e9ho textu n\u011bmeck\u00e9 b\u00e1sn\u011b. Cituji:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Welikau radost by ste my u\u010dinil kdyby ste tak dobr\u00fd byl a tu zadu p\u0159ipogenau pjse\u0148 v \u010de\u0161tinu p\u0159elo\u017eil, tak svobodn\u011b gak se W\u00e1m ljbj, gen aby obsah a \u010d\u00e1stka slabyk zustala, y \u017e\u00e1d\u00e1m bych gi pod Wa\u0161jm gmenem: dle n\u011bmeckeho od Hanky vidati sm\u011bl, g\u00e1 gj\u017e na tu pjse\u0148 \u2013 gestli mn\u011b otcowsk\u00e1 l\u00e1ska nemeyli \u2013 dob\u0159e zda\u0159enau hudbu m\u00e1m, a r\u00e1d bych gj w ten swaze\u010dek k t\u011bm, kter\u00e9 od W\u00e1s o\u010dek\u00e1w\u00e1m p\u0159ipogil. P\u011bkne pozdravenj choti Wa\u0161\u00ed by se p\u0159imluvila aby ste neosly\u0161el Wa\u0161eho star\u00e9ho p\u0159jtele.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A skute\u010dn\u011b Hanka tuto prosbu pln\u00ed &#8211; v se\u0161it\u011b je oti\u0161t\u011bn jeho p\u0159eklad pod n\u00e1zvem <em>Vzdych\u00e1nj.<\/em> Jak se uk\u00e1zalo po transliteraci textu z dopisu, p\u0159edlohou je n\u011bkolikr\u00e1t \u010dasopisecky oti\u0161t\u011bn\u00e1 b\u00e1se\u0148 <em>Erinnerung <\/em>Christiana Albrechta Schadenhausena. T\u011bmi dal\u0161\u00edmi p\u00eds\u0148ov\u00fdmi texty, kter\u00e9 Kn\u00ed\u017ee od Hanky o\u010dek\u00e1val, jsou z\u0159ejm\u011b <em>Rozgjtj<\/em> a <em>Sau\u017eenj l\u00e1sky<\/em>. Ty toti\u017e na rozd\u00edl od ostan\u00edch Kn\u00ed\u017eetem zhudebn\u011bn\u00fdch Hankov\u00fdch b\u00e1sn\u00ed, nebyly publikov\u00e1ny v \u017e\u00e1dn\u00e9 Hankov\u011b b\u00e1snick\u00e9 sb\u00edrce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ke sv\u00e9mu zam\u011bstn\u00e1n\u00ed v orchestru Stavovsk\u00e9ho divadla p\u0159ib\u00edr\u00e1 Kn\u00ed\u017ee v roce 1833 funkci \u0159editele k\u016fru u sv. Ign\u00e1ce v Praze a od roku 1836 u sv. Havla. Bez \u00fasp\u011bchu se roku 1839 uch\u00e1zel o m\u00edsto metropolitn\u00edho varhan\u00edka u sv. V\u00edta po J. N. A. Vit\u00e1skovi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Josef Krasoslav Chmelensk\u00fd (1800\u20131839) za\u010d\u00edn\u00e1 v roce 1835 vyd\u00e1vat <em>W\u011bnec ze zp\u011bw\u016f wlastensk\u00fdch,<\/em> prvn\u00ed \u010desk\u00e9 hudebn\u00ed periodikum. Chmelensk\u00fd \u0159\u00edk\u00e1:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>K \u0161t\u011bstj gsem zn\u00e1m t\u00e9m\u011b\u0159 se w\u0161emi w\u00fdborn\u011bg\u0161jmi hudebnjky pra\u017esk\u00fdmi, a tak se mi poda\u0159ilo ge k tomu nakloniti, \u017ee mi we w\u0161em n\u00e1pomocni b\u00fdti cht\u011bgj. Negenom ti mu\u017eow\u00e9, gich\u017eto pjsn\u011b se gi\u017e wjce ne\u017e dwadcet let \u010deskau zemj mile rozl\u00e9hagj: Tom\u00e1\u0161ek, Wit\u00e1sek a Knj\u017ee, ale i w\u0161ickni mlad\u0161j hudebnj um\u011blci: \u0160kroup, Gelen, Kittl a t. d. z pauh\u00e9 l\u00e1sky k gazyku sw\u00e9mu mil\u00e9mu beze w\u0161eho zisku toto djlo n\u00e1rodnj sw\u00fdmi um\u011bleck\u00fdmi plody podporowati gsau sljbili, za\u010de\u017e gim co neywraucn\u011bgi d\u011bkow\u00e1no bu\u010f.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kn\u00ed\u017ee v\u0161ak z\u0159ejm\u011b slib nesplnil, nebo\u0165 \u017e\u00e1dn\u00e1 jeho p\u00edse\u0148 ve <em>W\u011bnci<\/em> oti\u0161t\u011bna nebyla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V \u00faloze chr\u00e1mov\u00e9ho hudebn\u00edka zkomponoval t\u0159i pastor\u00e1ln\u00ed m\u0161e (D, F a G, prvn\u00ed dv\u011b vy\u0161ly tiskem u Hoffmanna), dv\u011b velk\u00e9 m\u0161e (F, G), malou m\u0161i a n\u011bkolik dal\u0161\u00edch skladeb. N\u011bmecky psan\u00fd den\u00edk <em>Bohemia<\/em> uv\u00e1d\u00ed v roce 1836:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>1. listopadu jsme v kostele sv. Havla sly\u0161eli novou m\u0161i F dur od pana Kn\u00ed\u017eete, jeho\u017e zn\u00e1me z t\u00e9 nejvybran\u011bj\u0161\u00ed strany d\u00edky n\u011bkolika kompozic\u00edm vlasteneck\u00fdch p\u00edsn\u00ed. T\u011b\u0161\u00ed n\u00e1s, \u017ee jsme tak\u00e9 ve v\u011bt\u0161\u00edch d\u00edlech na\u0161eho udatn\u00e9ho rod\u00e1ka na\u0161li jen sam\u00e9 chv\u00e1lyhodn\u00e9 a vynikaj\u00edc\u00ed v\u011bci. Pan Kn\u00ed\u017ee se ve sv\u00e9 m\u0161i p\u0159\u00edsn\u011b dr\u017e\u00ed jednoduch\u00e9ho, u\u0161lechtil\u00e9ho c\u00edrkevn\u00edho stylu a v\u0161e v n\u00ed &#8211; zp\u011bv, veden\u00ed hlasu, figurace, k\u00e1non i fugato &#8211; d\u00fdch\u00e1 skute\u010dn\u011b proc\u00edt\u011bnou zbo\u017enost\u00ed.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zejm\u00e9na Missa pastoralis in D byla velmi obl\u00edben\u00e1 po cel\u00e9 19. stolet\u00ed a byla \u00fadajn\u011b hr\u00e1na \u010dast\u011bji ne\u017e Rybova<em> \u010cesk\u00e1 m\u0161e v\u00e1no\u010dn\u00ed<\/em>. Pastor\u00e1ln\u00ed m\u0161e je dnes bohu\u017eel zat\u00edm jedin\u00e1 d\u016fle\u017eit\u011bj\u0161\u00ed Kn\u00ed\u017eetova skladba, kterou m\u00e1me zaznamenanou na CD (Rosa Classic, 2006), nepo\u010d\u00edt\u00e1me-li nahr\u00e1vky n\u011bkolika p\u00edsn\u00ed skupinou Spiritu\u00e1l kvintet (1981).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franti\u0161ek Max Kn\u00ed\u017ee zem\u0159el na z\u00e1stavu srdce v l\u00e1zn\u00edch na \u017dof\u00ednsk\u00e9m ostrov\u011b 23. \u010dervence 1840.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2013<em>Jan Tul\u00e1\u010dek<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Napsali o p\u0159edstaven\u00ed<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/operaplus.cz\/festival-baroko-oslavil-narozeniny-skladatele-frantiska-maxe-knizete\/\">Recenzi p\u0159edstaven\u00ed na port\u00e1lu Opera Plus si m\u016f\u017eete p\u0159e\u010d\u00edst zde.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>st\u0159eda 5. 6. v&nbsp;19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci Program: Op. 9Freundschaft oder LiebeDie Klage Op. 18Vy\u0161ehradL\u00e1sky bla\u017eenostD\u00edvka nezn\u00e1m\u00e1Zastaven\u00ed\u010dkoDer K\u00f6nig in Thule Op. 15Chasse Op.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-281","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/pages\/281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/comments?post=281"}],"version-history":[{"count":13,"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/pages\/281\/revisions"}],"predecessor-version":[{"id":633,"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/pages\/281\/revisions\/633"}],"up":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/festivalbaroko.cz\/2024\/wp-json\/wp\/v2\/media?parent=281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}