{"id":953,"date":"2025-05-27T10:27:38","date_gmt":"2025-05-27T09:27:38","guid":{"rendered":"https:\/\/festivalbaroko.cz\/2025\/?page_id=953"},"modified":"2025-10-12T20:23:31","modified_gmt":"2025-10-12T19:23:31","slug":"mauritius-vogt-1669-1730-vertumnus-vanitatis-musice-in-31-fugis-delusus","status":"publish","type":"page","link":"https:\/\/festivalbaroko.cz\/2025\/mauritius-vogt-1669-1730-vertumnus-vanitatis-musice-in-31-fugis-delusus\/","title":{"rendered":"Mauritius Vogt (1669\u20131730): Vertumnus vanitatis musica in 31 fugis delusus"},"content":{"rendered":"\n<h4 class=\"wp-block-heading kdy\">\u010dtvrtek 5. 6. 2025 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci, s\u00e1l V\u00e1clava III.<\/h4>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"742\" height=\"1024\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/05\/Johann_Georg_Vogt_alias_Mauritius_Vogt_Portrait-1-742x1024.jpg\" alt=\"\" class=\"wp-image-955\" style=\"width:300px\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/05\/Johann_Georg_Vogt_alias_Mauritius_Vogt_Portrait-1-742x1024.jpg 742w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/05\/Johann_Georg_Vogt_alias_Mauritius_Vogt_Portrait-1-217x300.jpg 217w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/05\/Johann_Georg_Vogt_alias_Mauritius_Vogt_Portrait-1.jpg 764w\" sizes=\"auto, (max-width: 742px) 100vw, 742px\" \/><\/figure>\n\n\n\n<p>Vertumnus<a href=\"#_ftn1\" id=\"_ftnref1\"><sup>[1]<\/sup><\/a> marnosti, hudebn\u011b oklaman\u00fd v&nbsp;31 fug\u00e1ch, kter\u00fd z&nbsp;harmonick\u00e9ho autografu d\u016fstojn\u00e9ho p\u00e1na Mo\u0159ice Vogta prost\u0159ednictv\u00edm ctihodn\u00e9ho p\u00e1na Tranquilla Jandy pro sebe opsal bratr Norbert Seeliger z&nbsp;\u0159\u00e1du cisterci\u00e1k\u016f, profes v&nbsp;Plasech, k \u00fat\u011b\u0161e v&nbsp;\u010dase vym\u011b\u0159en\u00e9m n\u00e1m hodinami<a href=\"#_ftn2\" id=\"_ftnref2\"><sup>[2]<\/sup><\/a> roku 1740.<\/p>\n\n\n\n<p>Marnost nad marnost a v\u0161echno je jen marnost!<a href=\"#_ftn3\" id=\"_ftnref3\"><sup>[3]<\/sup><\/a><\/p>\n\n\n\n<p>Krom\u011b l\u00e1sky k&nbsp;Bohu a slu\u017eby jemu jedin\u00e9mu<a href=\"#_ftn4\" id=\"_ftnref4\"><sup>[4]<\/sup><\/a>.<\/p>\n\n\n\n<p><strong>Hudebn\u00edk zdrav\u00ed hudebn\u00edka!<\/strong><\/p>\n\n\n\n<p>Virtu\u00f3zn\u00ed hudebn\u00edku! Domn\u00edv\u00e1m se, \u017ee \u017eiji hudbou, dokud poslouch\u00e1m dobrou a umn\u011b pojatou hudbu. Nebeskou se mi jev\u00ed hudba pt\u00e1k\u016f, kter\u00e1 uchopuje p\u0159esn\u011b odm\u011b\u0159en\u00e9 zvuky ze sv\u00e9ho nejmelodi\u010dt\u011bj\u0161\u00edho \u0159e\u010dni\u0161t\u011b a d\u00e1v\u00e1 takt jejich k\u0159\u00eddl\u016fm, zat\u00edmco p\u0159i letu prot\u00ednaj\u00ed pov\u011bt\u0159\u00ed, a pov\u011bt\u0159\u00edm k&nbsp;m\u00fdm u\u0161\u00edm rozl\u00e9v\u00e1 soulad t\u00f3n\u016f. K\u0159\u00eddlo se sest\u00e1v\u00e1 z&nbsp;mnoha per a o nic m\u00e9n\u011b jich nem\u00e1 ani hudebn\u00ed n\u00e1stroj, kter\u00fd naz\u00fdv\u00e1me k\u0159\u00eddlo. Pr\u00e1v\u011b pro takov\u00e9 k\u0159\u00eddlo jsem slo\u017eil toto hudebn\u00ed d\u00edlo, nebo\u0165 p\u0159\u00edli\u0161 vzdu\u0161n\u00e9 varhany pro tento \u00fa\u010del pokl\u00e1d\u00e1m za nevhodn\u00e9 a zbyte\u010dn\u00e9. Cel\u00e9 toto d\u00edlo si v&nbsp;plnosti sv\u00e9ho textu zahr\u00e1v\u00e1 s Vertumnem marnosti, jen\u017e svou nest\u00e1lost\u00ed si ji\u017e d\u00e1vno pohr\u00e1v\u00e1 s ve\u0161ker\u00fdm sv\u011btem. Pohr\u00e1vejme si tedy i my s&nbsp;n\u00edm.&nbsp; Na k\u0159\u00eddlo bude hr\u00e1t virtu\u00f3zn\u00ed hudebn\u00edk, nikoliv jen tak n\u011bkdo, kdo by se vydal vst\u0159\u00edc M\u00faze, vedle n\u011bj bude hr\u00e1t u\u010den\u00e1 M\u00faza, nikoliv hrub\u00fd Musimon<a href=\"#_ftn5\" id=\"_ftnref5\"><sup>[5]<\/sup><\/a>, naslouchat bude muzik\u00e1ln\u00ed ucho, nikoliv jen tak muzic\u00edruj\u00edc\u00ed nehudebn\u00ed \u010dlov\u011bk. Kdy\u017e jsem skl\u00e1dal toto d\u00edlo, prop\u016fj\u010dil jsem zp\u011bv nejslad\u0161\u00ed M\u00faze, kter\u00e1 na k\u0159\u00eddle hraje na klaviaturu, nalevo jsem um\u00edstil bas, napravo jsem vlo\u017eil jin\u00e9 t\u00f3ny, kter\u00e9 pokud je rozhojn\u00ed nebo umen\u0161\u00ed ruka, nevyzn\u011bj\u00ed nadarmo, jen kdy\u017e pojet\u00ed l\u00e1tky nebude v&nbsp;ni\u010dem ubr\u00e1no. Bylo by marn\u00e9 a chybn\u00e9 p\u0159istoupit k&nbsp;t\u00e9to v\u011bci, jak se \u0159\u00edk\u00e1, s&nbsp;neumyt\u00fdma rukama. P\u0159edchoz\u00ed reviz\u00ed a cvi\u010den\u00edm je t\u0159eba ruce um\u00fdt natolik, aby se symfonie neu\u0161pinila od \u00fader\u016f prst\u016f a neohluchla. Do toho vstupuj\u00ed n\u011bkter\u00e9 pas\u00e1\u017ee neobvykl\u00fdmi cestami a takto vkl\u00e1daj\u00ed nepravideln\u00e9 t\u00f3ny, aby nehty mezi kl\u00e1vesami p\u0159esn\u011b ude\u0159ily do kol\u00edk\u016f. Nezapomn\u011bl jsem zde ani na varhany, tak\u017ee z&nbsp;tohoto hudebn\u00edho d\u00edla bude mo\u017en\u00e9 snadno z\u00edskat nejr\u016fzn\u011bj\u0161\u00ed hudebn\u00ed motivy, fugy, soubory t\u00f3n\u016f a snadno odvoditeln\u00e1 t\u00e9mata. Pou\u017e\u00edvej a u\u017e\u00edvej tohoto hudebn\u00edho d\u00edla, virtu\u00f3zn\u00ed hudebn\u00edku, a svou ctnost\u00ed p\u0159em\u00e1hej marnost. O toto pros\u00ed spoluhudebn\u00edk a spoluskladatel<\/p>\n\n\n\n<p>bratr Mo\u0159ic Vogt,<br>profes \u0159\u00e1du cisterci\u00e1k\u016f v&nbsp;Plasech.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>I. Vanitas in Musica. Fuga Musicae<\/p>\n\n\n\n<p>II. Vanitas Lusus et Antiquitatum. Fuga Alearum Archi-tectonica<\/p>\n\n\n\n<p>III. Vanitas Quinque Sensuum. Fuga curiosa Sensuum<\/p>\n\n\n\n<p>IV. Vanitas in sensu Visus. Fuga curiosa Speculorum<\/p>\n\n\n\n<p>V. Vanitas in sensu Auclitus. Fuga Syrenum Cytharae<\/p>\n\n\n\n<p>VI. Vanitas in sensu Gustus. Fuga effusa<\/p>\n\n\n\n<p>VII. Vanitas in sensu Odoratus. Fuga Florae<\/p>\n\n\n\n<p>VIII. Vanitas in sensu Tactus. Fuga mollis<\/p>\n\n\n\n<p>IX. Vanitas divitiarum. Fuga bullata<\/p>\n\n\n\n<p>X. Vanitas Vernalis. Fuga Puerilis<\/p>\n\n\n\n<p>XI. Vanitas Aestatis. Fuga Adolescens<\/p>\n\n\n\n<p>XII. Vanitas Autumni. Fuga Virilis<\/p>\n\n\n\n<p>XIII. Vanitas Hiemis. Fuga Frigida<\/p>\n\n\n\n<p>XIV. Vanitas in differendo Bona Opera. Fuga Foliosa<\/p>\n\n\n\n<p>XV. Vanitas Antiquorum Monumentorum. Fuga Cariosa<\/p>\n\n\n\n<p>XVI. Vanitas et Minueta defunctae Nobilitatis. Fuga nullius effugii<\/p>\n\n\n\n<p>\u2013<em>p\u0159est\u00e1vka<\/em>\u2013<\/p>\n\n\n\n<p>XVII. Vanitas Nobilitatis degeneris. Fuga<\/p>\n\n\n\n<p>XVIII. Vanitas in Regnando. Fuga Celeris<\/p>\n\n\n\n<p>XIX. Vanitas Pretiositatum Fragilium. Fuga de Porcellana<\/p>\n\n\n\n<p>XX. Vanitas in Saltu. Fuga titubans<\/p>\n\n\n\n<p>XXI. Vanitas Gloriae Sanae Vitae. Fuga Mortalis<\/p>\n\n\n\n<p>XXII. Vanitas Voluptatum. Fuga Vacua<\/p>\n\n\n\n<p>XXIII. Vanitas Amoris Stulti. Fuga Caeca<\/p>\n\n\n\n<p>XXIV. Vanitas in humanis Terriculamentis. Fuga Pyrotechnica<\/p>\n\n\n\n<p>XXV. Vanitas in Securitate Humana. Fuga Comessantium<\/p>\n\n\n\n<p>XXVI. Vanitas in Seculi Gloria et Honore. Fuga Transeuntium<\/p>\n\n\n\n<p>XXVII. Vanitas malarum Passionum. Fuga Septiceps<\/p>\n\n\n\n<p>XXVIII. Vanitas prophanae Musicae. Fuga Streperosa<\/p>\n\n\n\n<p>XXIX. Vanitas Illiciorum. Fuga Stellionum<\/p>\n\n\n\n<p>XXX. Vanitas Vanitatum. Fuga Mundialis<\/p>\n\n\n\n<p>XXXI. Vanitas Cordis Terreni. Fuga Terrena<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>\u00da\u010dinkuj\u00ed:<\/strong> Vojt\u011bch Pelka \u2013 sopr\u00e1n, Dorota Grossov\u00e1 \u2013 alt, Arnau Pet\u0159ivalsk\u00fd \u2013 tenor, Jan Vacul\u00edk \u2013 bas, Ji\u0159ina Mare\u0161ov\u00e1, Martin Smutn\u00fd \u2013 pozitiv a cembalo.<\/p>\n\n\n\n<p><strong>Mauricius Vogt<\/strong> byl rod\u00e1k z Frank, kter\u00fd se v \u010cech\u00e1ch stal kn\u011bzem, zem\u011bm\u011b\u0159i\u010dem, kartografem, geografem, historikem, hudebn\u00edkem, skladatelem a spisovatelem, a dokonce i \u010cechem. Narodil se 30. \u010dervna v K\u00f6nigshofenu v&nbsp;Doln\u00edch Franc\u00edch v Bavorsku a byl pok\u0159t\u011bn jako Johann Georg. Do Plas p\u0159i\u0161el se sv\u00fdm otcem jako \u0161estilet\u00fd chlapec. V roce 1692 byl jako novic Mauricius p\u0159ijat do cisterci\u00e1ck\u00e9ho \u0159\u00e1du. V roce 1693 slo\u017eil \u0159eholn\u00ed sliby a byl vysv\u011bcen na kn\u011bze. Vogtova kari\u00e9ra byla v t\u00e9 dob\u011b pro vzd\u011blan\u00e9ho kn\u011bze obvykl\u00e1: kn\u011bz, pedagog, hudebn\u00edk ve \u0161lechtick\u00e9 rodin\u011b. Od roku 1724 a\u017e do sv\u00e9 smrti 17. srpna 1730 slou\u017eil otec Mauritius Vogt jako p\u0159edstaven\u00fd v poutn\u00edm kostele v Mari\u00e1nsk\u00e9 T\u00fdnici, kde tak\u00e9 zem\u0159el.<\/p>\n\n\n\n<p>Mauritius Vogt byl multitalentovan\u00fd. M\u016f\u017eeme ho popsat jako polyhistora, co\u017e v ran\u00e9m novov\u011bku nebylo neobvykl\u00e9. Mluvil latinsky, n\u011bmecky, \u010desky, francouzsky a italsky. Vogt je sv\u00fdmi d\u00edly psan\u00fdmi v latin\u011b a n\u011bm\u010din\u011b jedn\u00edm z mnoha p\u0159edstavitel\u016f v\u00edcejazy\u010dn\u00e9 barokn\u00ed literatury \u010cech. Mauricius se podle vzoru sv\u00e9ho otce stal vynikaj\u00edc\u00edm zem\u011bm\u011b\u0159i\u010dem a kartografem, kter\u00fd sv\u00e9 mapy tiskl v Norimberku. V N\u011bmecku tak\u00e9 vydal topografick\u00e9 d\u00edlo <em>Das jetzt-lebende K\u00f6nigreich B\u00f6hme<\/em> (1712). J\u00e1drem pr\u00e1ce je historicko-topografick\u00fd popis pozoruhodn\u00fdch lokalit \u010cech, \u0159azen\u00fd abecedn\u011b podle jednotliv\u00fdch kraj\u016f. C\u00edlem t\u00e9to knihy, psan\u00e9 v duchu n\u00e1rodn\u00edho vlastenectv\u00ed, bylo snad propagovat \u010cesk\u00e9 kr\u00e1lovstv\u00ed v zahrani\u010d\u00ed. V roce 1722 napsal prvn\u00ed verzi sv\u00e9ho geologick\u00e9ho d\u00edla <em>Boemia et Moravia subterranea<\/em>; definitivn\u00ed vyd\u00e1n\u00ed bylo naps\u00e1no v roce 1729. Jde o geologickou topografii jednotliv\u00fdch \u010d\u00e1st\u00ed \u010cech a Moravy, vid\u011bnou z hlediska n\u00e1lez\u016f miner\u00e1ln\u00edch pramen\u016f, kov\u016f, miner\u00e1l\u016f, k n\u00ed\u017e p\u0159id\u00e1v\u00e1 seznamy kamen\u016f, historii objev\u016f atd.; Autor d\u00e1le uv\u00e1d\u00ed kapitoly o magick\u00e9 moci kamen\u016f a kov\u016f, o d\u00e9monech a obrech, typologii pozemsk\u00fdch sk\u0159\u00edtk\u016f, d\u00e1le pojedn\u00e1n\u00ed o jeskyn\u00edch, drac\u00edch a jejich p\u016fvodu, tak\u017ee cel\u00e9 d\u00edlo tvo\u0159\u00ed ucelenou encyklopedii anorganick\u00fdch p\u0159\u00edrodn\u00edch v\u011bd a z\u00e1rove\u0148 podzemn\u00edho sv\u011bta po\u010d\u00e1tku 18. stolet\u00ed. Toto d\u00edlo tak\u00e9 obsahuje mno\u017estv\u00ed map a n\u00e1\u010drt\u016f. A\u010dkoli pou\u017e\u00edval mnoho zdroj\u016f a informac\u00ed, nebyl schopen je kriticky analyzovat, nerozli\u0161oval mezi p\u0159esn\u00fdmi tvrzen\u00edmi a vymy\u0161len\u00fdmi p\u0159\u00edb\u011bhy, a tak z\u016fst\u00e1val v mez\u00edch barokn\u00ed v\u011bdy. Tot\u00e9\u017e plat\u00ed i pro jeho historickou pr\u00e1ci. Ve 20. letech 18. stolet\u00ed Vogt napsal nejm\u00e9n\u011b dv\u011b verze kroniky kl\u00e1\u0161tera Plasy: <em>Tilia Plassensis<\/em>&#8230; (<em>L\u00edpa plask\u00e1 v na\u0161\u00ed zahrad\u011b). <\/em>&nbsp;Kronika pokr\u00fdv\u00e1 obdob\u00ed od zalo\u017een\u00ed kl\u00e1\u0161tera ve 40. letech 13. stolet\u00ed do roku 1729.<\/p>\n\n\n\n<p>Vogt byl sv\u00fdm sou\u010dasn\u00edk\u016fm dob\u0159e zn\u00e1m\u00fd jako hudebn\u00edk, varhan\u00edk a skladatel. Slo\u017eil \u0159adu m\u0161\u00ed, \u00e1ri\u00ed, ofertori\u00ed a dal\u0161\u00edch duchovn\u00edch skladeb, z nich\u017e velk\u00e1 v\u011bt\u0161ina se po jeho smrti ztratila. Z jeho hudebn\u00ed poz\u016fstalosti dnes zn\u00e1me p\u0159edev\u0161\u00edm velkou hudebn\u00ed u\u010debnici <em>Conclave Thesauri Magnae Artis Musicae<\/em> (<em>Komnata pokladu velik\u00e9ho um\u011bn\u00ed hudebn\u00edho, <\/em>Praha 1719). Jedn\u00edm z m\u00e1la Vogtov\u00fdch hudebn\u00edch d\u011bl, kter\u00e9 se dochovalo, je cyklus 31 fug s n\u00e1zvem<em> Vertumnus vanitatis musica in XXXI Fugis delusus<\/em>. Jsou to variace na t\u00e9ma marnosti lidsk\u00e9 existence, \u010din\u016f, \u00fasil\u00ed, tu\u017eeb a c\u00edl\u016f. Stejn\u00fd n\u00e1zev d\u00edla a n\u011bkolik motiv\u016f nazna\u010duj\u00ed, \u017ee se inspiroval b\u00e1snick\u00fdm d\u00edlem rakousk\u00e9ho piaristy Martina a S. Brunoneho (vlastn\u00edm jm\u00e9nem Johann Georg Schubart) <em>Vertumnus Vanitatis sive Certamen Metricum&#8230;<\/em> (Mikulov 1697, 1725).<\/p>\n\n\n\n<p>\u2014<em>Martin Svato\u0161<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a href=\"#_ftnref1\" id=\"_ftn1\">[1] <\/a>Vertumnus \u2013 \u0159\u00edmsk\u00fd b\u016fh zm\u011bny, ro\u010dn\u00edch obdob\u00ed, r\u016fstu rostlin. Zde v&nbsp;k\u0159es\u0165ansk\u00e9m barokn\u00edm kontextu symbol nest\u00e1losti a marnosti.<\/p>\n\n\n\n<p><a href=\"#_ftnref2\" id=\"_ftn2\">[2]<\/a> my\u0161leno osudem, Proz\u0159etelnost\u00ed<\/p>\n\n\n\n<p><a href=\"#_ftnref3\" id=\"_ftn3\">[3]<\/a> Kazatel 1,2<\/p>\n\n\n\n<p><a href=\"#_ftnref4\" id=\"_ftn4\">[4]<\/a> Tom\u00e1\u0161 Kempensk\u00fd, De imitatione Christi 1,1<\/p>\n\n\n\n<p><a href=\"#_ftnref5\" id=\"_ftn5\">[5]<\/a> Musimon \u2013 m\u00fdtick\u00e9 stvo\u0159en\u00ed, kter\u00e9 na\u0161lo m\u00edsto ve st\u0159edov\u011bk\u00e9 heraldice, k\u0159\u00ed\u017eenec ovce a kozy. Symbol neotesanosti. Dnes druhov\u00e9 ozna\u010den\u00ed muflona.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Fotografie z p\u0159edstaven\u00ed<\/h3>\n\n\n\n<p>Foto Ivo Zatloukal<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1047\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-01-1024x576.jpg\" alt=\"\" class=\"wp-image-1047\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-01-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-01-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-01-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-01-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-01.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1048\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-02-1024x576.jpg\" alt=\"\" class=\"wp-image-1048\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-02-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-02-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-02-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-02-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-02.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1054\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-03-1024x576.jpg\" alt=\"\" class=\"wp-image-1054\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-03-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-03-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-03-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-03-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-03.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1051\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-04-1024x576.jpg\" alt=\"\" class=\"wp-image-1051\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-04-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-04-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-04-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-04-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-04.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1053\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-05-1024x576.jpg\" alt=\"\" class=\"wp-image-1053\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-05-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-05-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-05-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-05-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-05.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1058\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-06-1024x576.jpg\" alt=\"\" class=\"wp-image-1058\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-06-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-06-300x169.jpg 300w, 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https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-07.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1059\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-08-1024x576.jpg\" alt=\"\" class=\"wp-image-1059\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-08-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-08-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-08-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-08-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-08.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1057\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-09-1024x576.jpg\" alt=\"\" class=\"wp-image-1057\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-09-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-09-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-09-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-09-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-09.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1049\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-10--1024x576.jpg\" alt=\"\" class=\"wp-image-1049\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-10--1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-10--300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-10--768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-10--1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-10-.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1052\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-11-1-1024x576.jpg\" alt=\"\" class=\"wp-image-1052\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-11-1-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-11-1-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-11-1-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-11-1-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-11-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1050\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-12-1-1024x576.jpg\" alt=\"\" class=\"wp-image-1050\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-12-1-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-12-1-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-12-1-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-12-1-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-12-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1056\" src=\"http:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-13-1-1024x576.jpg\" alt=\"\" class=\"wp-image-1056\" srcset=\"https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-13-1-1024x576.jpg 1024w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-13-1-300x169.jpg 300w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-13-1-768x432.jpg 768w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-13-1-1536x864.jpg 1536w, https:\/\/festivalbaroko.cz\/2025\/wp-content\/uploads\/2025\/06\/FOTO-13-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Z\u00e1znamy p\u0159edstaven\u00ed<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Olomouc<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mauritius Vogt 1669\u20131730 Vertumnus vanitatis musica in 31 fugis delusus 1.  D\u00cdL \/OLOMOUC\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/UfLYZ9Fj6cQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mauritius Vogt 1669\u20131730 Vertumnus vanitatis musica in 31 fugis delusus 2.  D\u00cdL \/OLOMOUC\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/R-obqHAZEpM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Kuks<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mauritius Vogt 1669\u20131730 Vertumnus vanitatis musica in 31 fugis delusus 1.  D\u00cdL  \/KUKS\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/jrWDJO82Cc0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mauritius Vogt 1669\u20131730 Vertumnus vanitatis musica in 31 fugis delusus 2.  D\u00cdL KUKS\" width=\"843\" height=\"474\" src=\"https:\/\/www.youtube.com\/embed\/2jM3im8bFpk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Recenze<\/h2>\n\n\n\n<p><a href=\"https:\/\/operaplus.cz\/barokni-pohled-na-marnost-sveta-ozil-se-sopranistou-vojtechem-pelkou\/\"><strong>Barokn\u00ed pohled na marnost sv\u011bta o\u017eil se sopranistou Vojt\u011bchem Pelkou <\/strong>(operaplus.cz)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u010dtvrtek 5. 6. 2025 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci, s\u00e1l V\u00e1clava III. Vertumnus[1] marnosti, hudebn\u011b oklaman\u00fd v&nbsp;31 fug\u00e1ch, kter\u00fd z&nbsp;harmonick\u00e9ho autografu d\u016fstojn\u00e9ho p\u00e1na&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-953","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/pages\/953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/comments?post=953"}],"version-history":[{"count":14,"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/pages\/953\/revisions"}],"predecessor-version":[{"id":1174,"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/pages\/953\/revisions\/1174"}],"wp:attachment":[{"href":"https:\/\/festivalbaroko.cz\/2025\/wp-json\/wp\/v2\/media?parent=953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}