{"id":1357,"date":"2026-05-18T17:22:45","date_gmt":"2026-05-18T16:22:45","guid":{"rendered":"https:\/\/festivalbaroko.cz\/2026\/?page_id=1357"},"modified":"2026-05-28T22:54:57","modified_gmt":"2026-05-28T21:54:57","slug":"antonio-bioni-kromerizske-kantaty","status":"publish","type":"page","link":"https:\/\/festivalbaroko.cz\/2026\/antonio-bioni-kromerizske-kantaty\/","title":{"rendered":"Antonio Bioni: Krom\u011b\u0159\u00ed\u017esk\u00e9 kant\u00e1ty"},"content":{"rendered":"\n<h3 class=\"wp-block-heading datum\">\u00fater\u00fd 9. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v&nbsp;Olomouci, S\u00e1l V\u00e1clava III.<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Program:<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Antonio Bioni (cca 1698\u2013?)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Se non poss&#8216; io (kant\u00e1ta pro sopr\u00e1n)<\/li>\n\n\n\n<li>Orlando furioso (Sinfonia)<\/li>\n\n\n\n<li>Se non ti moro a lato (kant\u00e1ta pro sopr\u00e1n)<\/li>\n\n\n\n<li>De tanti fidi (\u00e1rie pro tenor)<\/li>\n\n\n\n<li>Innocente e il mio martire (kant\u00e1ta pro sopr\u00e1n)<\/li>\n\n\n\n<li>Orlando furioso (z\u00e1v\u011bre\u010dn\u00fd sbor)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00da\u010dinkuj\u00ed:<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Vojt\u011bch Pelka \u2013 sopr\u00e1n<br>Ond\u0159ej Benek \u2013 tenor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bel canto, sbormistr Filip Volmut<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martin Dost\u00e1l&nbsp;\u2013 1. housle<br>Daniel Podrou\u017eek \u2013 2. housle<br>Tereza \u0160m\u00eddov\u00e1 \u2013 viola<br>Nikita Ruzhavinskiy \u2013 violoncello<br>Daria Savvateeva \u2013 cembalo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tom\u00e1\u0161 Hanzl\u00edk \u2013 spartace, rekonstrukce z\u00e1v\u011bre\u010dn\u00e9ho sboru<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">O autorovi<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Antonio Bioni<\/strong> (cca 1698\u2013?) pat\u0159\u00ed k t\u011bm autor\u016fm, o jejich\u017e \u017eivot\u011b nem\u00e1me mnoho informac\u00ed a v\u011bt\u0161ina jejich d\u011bl je ztracena. Narodil se v Ben\u00e1tk\u00e1ch pravd\u011bpodobn\u011b v roce 1698. Zde studoval skladbu u Giovanniho Porty. P\u0159ed zah\u00e1jen\u00edm sv\u00e9 skladatelsk\u00e9 kari\u00e9ry vystupoval v oper\u00e1ch jako zp\u011bv\u00e1k. V It\u00e1lii z\u0159ejm\u011b napsal celkem t\u0159i opery: <em>Climene<\/em> (1721, <em>Chioggia<\/em>), <em>Mitridate<\/em> (1722, Ferrara) a <em>Cajo Mario<\/em> (1722, Ferrara). Posl\u00e9ze ode\u0161el do oblasti za Alpami.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" data-id=\"1361\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0001-718x1024.jpeg\" alt=\"\" class=\"wp-image-1361\" srcset=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0001-718x1024.jpeg 718w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0001-210x300.jpeg 210w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0001-768x1096.jpeg 768w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0001-1077x1536.jpeg 1077w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0001.jpeg 1346w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" data-id=\"1360\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0020-678x1024.jpeg\" alt=\"\" class=\"wp-image-1360\" srcset=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0020-678x1024.jpeg 678w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0020-199x300.jpeg 199w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0020-768x1160.jpeg 768w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0020-1017x1536.jpeg 1017w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0020.jpeg 1271w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" data-id=\"1359\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0005-1024x685.jpeg\" alt=\"\" class=\"wp-image-1359\" srcset=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0005-1024x685.jpeg 1024w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0005-300x201.jpeg 300w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0005-768x514.jpeg 768w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0005-1536x1027.jpeg 1536w, https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/0005.jpeg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">D\u016fle\u017eit\u00fdm zlomem v Bioniho \u017eivot\u011b je rok 1724, kdy p\u0159i\u0161el do \u010cech. Smlouvu na kompozici oper s&nbsp;n\u00edm uzav\u0159el impres\u00e1rio, libretista a zp\u011bv\u00e1k Antonio Denzio, kter\u00fd byl v Ben\u00e1tk\u00e1ch pov\u011b\u0159en vytvo\u0159en\u00edm opern\u00edho souboru pro pra\u017esk\u00e9ho impres\u00e1ria Antonia Maria Peruzziho. V b\u0159eznu 1724 dostal Peruzzi od m\u00edstn\u00edho m\u00edstodr\u017eitelstv\u00ed povolen\u00ed provozovat italskou operu v Manhardtov\u011b dom\u011b na Star\u00e9m M\u011bst\u011b pra\u017esk\u00e9m. V roce 1724 tak Denzio a Peruzzi uzav\u0159eli smlouvu o vytvo\u0159en\u00ed opern\u00ed spole\u010dnosti pro Prahu. Po dohod\u011b Peruzziho s hrab\u011btem Franzem Antonem Sporckem v \u010dervnu 1724 v\u0161ak Denzio operu p\u0159ivedl nejprve do Kuksu a teprve na podzim 1724 do Prahy. Na obou m\u00edstech zazn\u011bla opera <em>Orlando furioso<\/em> zkomponovan\u00e1 na libreto Grazia Braccioliho. Hlavn\u00ed roli zp\u00edval Antonio Denzio. N\u011bkte\u0159\u00ed badatel\u00e9 Bioniho autorstv\u00ed zpochyb\u0148uj\u00ed nebo p\u0159edpokl\u00e1daj\u00ed \u00fa\u010dast v\u011bt\u0161\u00edho po\u010dtu skladatel\u016f. Stanislav Bohadlo se naopak domn\u00edv\u00e1, \u017ee Bioni je jedin\u00fdm autorem. Sv\u00e9 p\u0159esv\u011bd\u010den\u00ed op\u00edr\u00e1 o pozn\u00e1mku dom\u00e1c\u00edho b\u00e1sn\u00edka Gottfrieda Benjamina Hanckeho, kter\u00fd pro uveden\u00ed v Kuksu p\u0159elo\u017eil italsk\u00e9 libreto opery <em>Orlando furioso<\/em> do n\u011bm\u010diny. Hancke ve sv\u00e9m dopise Sporckovu Hofmeisterovi Tobiasi Anton\u00ednu Seemanovi kritizuje hudbu k ope\u0159e a autorstv\u00ed p\u0159ipisuje Bionimu. I p\u0159es ne zcela jasn\u011b prok\u00e1zan\u00e9 autorstv\u00ed je z\u0159ejm\u00e9, \u017ee tato opera byla velmi \u00fasp\u011b\u0161n\u00e1 a po sv\u00e9m uveden\u00ed na Kuksu a v Praze se hr\u00e1la i ve Vratislavi (1725, 1734), v Karlov\u00fdch Varech (l\u00e9to 1726), v Bruselu (1727), v Brn\u011b (1735) a ve \u0160t\u00fdrsk\u00e9m Hradci (1737). Bioniho p\u0159\u00edtomnost na t\u011bchto p\u0159edstaven\u00edch nebyla dosud dolo\u017eena. Italsk\u00fd opern\u00ed soubor pod veden\u00edm impres\u00e1ria Peruzziho p\u016fsobil v Praze a\u017e do roku 1725. Sporckovo divadlo bylo otev\u0159eno 23. \u0159\u00edjna 1724 zm\u00edn\u011bnou operou <em>Orlando furioso<\/em>, kter\u00e1 se pro velk\u00fd \u00fasp\u011bch opakovala b\u011bhem adventu. Na konci roku 1724 byla zah\u00e1jena karnevalov\u00e1 sez\u00f3na operou <em>L&#8217;innocenza giustificata<\/em> s&nbsp;Bioniho hudbou a dal\u0161\u00edch skladatel\u016f. Kv\u016fli konflikt\u016fm mezi Peruzzim a Denziem v\u0161ak roku 1725 Peruzzi spolu s dal\u0161\u00edmi nespokojen\u00fdmi \u010dleny jeho souboru ode\u0161el do Vratislavi a zde zalo\u017eil novou opern\u00ed spole\u010dnost. Podle Bohadla s\u00e1m hrab\u011b Sporck navrhl zalo\u017een\u00ed italsk\u00e9 opery ve Vratislavi, a to p\u0159edev\u0161\u00edm kv\u016fli \u010dast\u00fdm n\u00e1v\u0161t\u011bv\u00e1m slezsk\u00fdch \u0161lechtic\u016f a obchodn\u00edk\u016f na opern\u00edch p\u0159edstaven\u00edch v Kuksu. Spole\u010dnost se usadila v Ballhouse na Breitestrasse a p\u016fsobila zde a\u017e do roku 1734. Bioni p\u0159i\u0161el do Vratislavi nejpozd\u011bji v roce 1726 a p\u016fsobil zde jako u\u010ditel hudby, cembalista, kapeln\u00edk a skladatel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u0159ed p\u0159\u00edjezdem do Vratislavi je dolo\u017een jeho pobyt v&nbsp;Ben\u00e1tk\u00e1ch, kde se setkal s Antoniem Vivaldim. Pravd\u011bpodobn\u011b tak\u00e9 pob\u00fdval v Praze v listopadu 1725, kdy zde byla uvedena jeho opera <em>Armida abbandonata<\/em>. V roce 1731 byl Bioni jmenov\u00e1n dvorn\u00edm skladatelem vratislavsk\u00e9ho kn\u00ed\u017eete-biskupa a mohu\u010dsk\u00e9ho arcibiskupa Franze Ludwiga von Neuburg. Ve stejn\u00e9m roce se stal tak\u00e9 impres\u00e1riem ve vratislavsk\u00e9 opern\u00ed spole\u010dnosti a vedl ji a\u017e do roku 1734, kdy\u017e byla z finan\u010dn\u00edch d\u016fvod\u016f rozpu\u0161t\u011bna. Ve Vratislavi slo\u017eil Bioni 24 ze sv\u00fdch 42 oper. Ty byly prov\u00e1d\u011bny ve Vratislavi v letech 1725 a\u017e 1734. Bioni b\u011bhem sv\u00e9ho p\u016fsoben\u00ed ve Vratislavi udr\u017eoval kontakty nejen s Prahou, ale i s V\u00eddn\u00ed. V roce 1727 byla v K\u00e4rtnertortheater uvedena Bioniho opera <em>Endimione<\/em> napsan\u00e1 pro Vratislav. V roce 1729 mohl b\u00fdt Bioni p\u0159\u00edtomen i ve V\u00eddni, a to na premi\u00e9\u0159e sv\u00e9 opery <em>I cacciatori feriti d&#8217;amore<\/em>, kter\u00e1 byla rovn\u011b\u017e uvedena ve V\u00eddni. Bioniho pobyty v Praze jsou pak dolo\u017eeny v letech 1727, 1730 a v l\u00e9t\u011b nebo na podzim roku 1734, kdy se Bioni ne\u00fasp\u011b\u0161n\u011b sna\u017eil z\u00edskat povolen\u00ed k provozov\u00e1n\u00ed oper.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pravd\u011bpodobn\u00e1, av\u0161ak nedolo\u017een\u00e1, je jeho p\u0159\u00edtomnost na uveden\u00ed jeho oper ve Sporckov\u011b divadle v Praze \u2013 <em>Il storno delfiglio con l\u2019abito pi\u00f9 approvato<\/em> (pasticcio, karneval 1730) a <em>Adone<\/em> (pastorale per musica, karneval 1731). Po rozpadu opern\u00ed spole\u010dnosti, v obdob\u00ed 1734\u20131738, neexistuj\u00ed o Bionim \u017e\u00e1dn\u00e9 jasn\u00e9 z\u00e1znamy. V\u00ed se pouze, \u017ee do roku 1738 si ponechal byt ve Vratislavi, pravd\u011bpodobn\u011b pro p\u0159\u00edpad, \u017ee by se mu poda\u0159ilo znovu zalo\u017eit opern\u00ed spole\u010dnost. Je mo\u017en\u00e9, \u017ee putoval i do Jarom\u011b\u0159ic nad Rokytnou, s\u00eddla milovn\u00edka italsk\u00e9ho opery hrab\u011bte Johanna Adama Questenberga. V roce 1737 zde byla uvedena opera <em>Issipile <\/em>jej\u00ed\u017e hudbu s nejv\u011bt\u0161\u00ed pravd\u011bpodobnost\u00ed slo\u017eil Bioni. Pokud by to byla pravda, pak je mo\u017en\u00e9, \u017ee Bioni byl na premi\u00e9\u0159e v Jarom\u011b\u0159ic\u00edch osobn\u011b. Jednozna\u010dn\u00fd d\u016fkaz v\u0161ak neexistuje.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V korespondenci hrab\u011bte Questenberga s jarom\u011b\u0159ick\u00fdmi spr\u00e1vci o studiu <em>Issipile<\/em> jsou jen pozn\u00e1mky, z nich\u017e se dozv\u00edd\u00e1me, \u017ee na podzim 1737 tuto operu spole\u010dn\u011b s <em>Meropou<\/em> p\u0159ipravoval Riccardo Broschi. Operu <em>Issipile<\/em> napsal Bioni pro Vratislav, kde byla poprv\u00e9 uvedena na podzim 1732. Je to drama per musica na libreto Pietra Metastasia a je jedinou Bioniho kompletn\u011b zachovanou operou. Unik\u00e1tn\u00ed partitura p\u016fvodn\u011b z majetku hrab\u011bte Questenberga je ulo\u017eena ve V\u00eddni. Libreto se dochovalo pouze z vratislavsk\u00e9ho proveden\u00ed v roce 1732 a je ulo\u017eeno v Mil\u00e1n\u011b. D\u00edky Helfertovi tak\u00e9 v\u00edme, \u017ee krom\u011b <em>Issipille<\/em> vlastnil hrab\u011b Questenberg kopie Bioniho oper <em>Engelberta<\/em> a <em>Griselda<\/em>, co\u017e bylo podle Matthesona pasticcio. V letech 1738 a\u017e 1739 pob\u00fdval Bioni ve V\u00eddni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V roce 1738 byla v K\u00e4rntnertortheater uvedena jeho opera <em>Girita<\/em>. Term\u00edny jeho p\u0159edstaven\u00ed jsou zn\u00e1m\u00e9 d\u00edky dopis\u016fm Georga Adama Hoffmanna, dom\u00e1c\u00edho spr\u00e1vce hrab\u011bte Questenberga. Bioni mo\u017en\u00e1 aspiroval na m\u00edsto u c\u00edsa\u0159sk\u00e9ho dvora. Nasv\u011bd\u010duje tomu skute\u010dnost, \u017ee v Odd\u011blen\u00ed hudby Rakousk\u00e9 n\u00e1rodn\u00ed knihovny ve V\u00eddni se nach\u00e1z\u00ed partitura Bioniho serenaty <em>La pace fra la virt\u00f9 e la bellezza<\/em> z roku 1739. Jde o serenatu <em>\u00e0 5 voci con stromenti<\/em>, ve kter\u00e9 je Bioni uveden jako skladatel i jako zp\u011bv\u00e1k. V dal\u0161\u00edch rol\u00edch vystupovaly amat\u00e9rsk\u00e9 zp\u011bva\u010dky z v\u00fdznamn\u00fdch \u0161lechtick\u00fdch rod\u016f, jak je patrn\u00e9 z dedikace partitury. Zaj\u00edmav\u00e9 je, \u017ee v \u0159\u00edjnu 1738 ve V\u00eddni byla provedena serenata se stejn\u00fdm n\u00e1zvem, jej\u00edm\u017e autorem byl Luca Antonio Predieri. Predieri p\u0159i\u0161el z It\u00e1lie do V\u00eddn\u011b v roce 1737 a v roce 1739 dos\u00e1hl funkce vicekapeln\u00edka na c\u00edsa\u0159sk\u00e9m dvo\u0159e. Ob\u011b skladby na stejnojmenn\u00e9 libreto Pietra Metastasia byly v\u011bnov\u00e1ny arciv\u00e9vodkyni Marii Terezii. Dva skladatel\u00e9 tak z\u00e1rove\u0148 zhudebnili stejn\u00e9 libreto pro stejnou p\u0159\u00edle\u017eitost. Mo\u017en\u00e1 to byla jak\u00e1si sout\u011b\u017e o pozici vicekapeln\u00edka, kterou nakonec nedostal Bioni, ale Predieri. V\u00edde\u0148 je tak\u00e9 posledn\u00edm m\u00edstem Bioniho aktivit, o kter\u00e9m m\u00e1me n\u011bjak\u00e9 informace d\u00edky nov\u011b objeven\u00e9 sb\u00edrce kant\u00e1t a z\u00e1pisk\u016fm z den\u00edku v\u00e9vody Antona Ulricha von Sachsen-Meiningen-Coburg. V\u00e9voda o Bionim hovo\u0159\u00ed jako o \u00fasp\u011b\u0161n\u00e9m organiz\u00e1torovi koncert\u016f ve V\u00eddni. Posledn\u00ed zm\u00ednka o n\u011bm poch\u00e1z\u00ed ze 16. b\u0159ezna 1741. Tyto pam\u011bti poskytuj\u00ed zat\u00edm posledn\u00ed zn\u00e1m\u00e9 d\u016fkazy o Bioniho \u017eivot\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bioni se proslavil p\u0159edev\u0161\u00edm jako opern\u00ed skladatel. Z pramen\u016f je zn\u00e1mo, \u017ee je autorem 35 opern\u00edch d\u011bl. Dochovala se v\u0161ak pouze opera <em>Issipile<\/em>, serenata <em>La pace fra la virt\u00f9 e la bellezza<\/em>, 23 \u00e1ri\u00ed a 1 duet z opery <em>Andromaca<\/em> a p\u0159edehra z opery <em>Orlando furioso<\/em>. Na dne\u0161n\u00edm koncert\u011b krom\u011b n\u00ed zazn\u00ed Bioniho skladby ulo\u017een\u00e9 v hudebn\u00edm archivu Arcidiec\u00e9zn\u00edho muzea v&nbsp;Krom\u011b\u0159\u00ed\u017ei. Skladby pat\u0159\u00ed do p\u016fvodn\u00ed z\u00e1meck\u00e9 sb\u00edrky. V\u0161echny t\u0159i kant\u00e1ty se skl\u00e1daj\u00ed ze dvou da capo \u00e1ri\u00ed spojen\u00fdch recitativem. Jsou naps\u00e1ny pro sopr\u00e1n, smy\u010dcov\u00e9 n\u00e1stroje a basso continuo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00e1le je v Krom\u011b\u0159\u00ed\u017ei ulo\u017eena \u00e1rie <em>De tantifidi amanti<\/em> pro tenor, smy\u010dcov\u00e9 n\u00e1stroje a basso continuo. V souvislosti s up\u0159es\u0148ov\u00e1n\u00edm provenience a datace se objevuje ot\u00e1zka, jak se kant\u00e1ty a \u00e1rie dostaly do krom\u011b\u0159\u00ed\u017esk\u00e9ho archivu. Jedna hypot\u00e9za vypl\u00fdv\u00e1 z Bioniho biografick\u00fdch dat. Jak je uvedeno v\u00fd\u0161e, mezi lety 1734 a 1738 neexistuj\u00ed \u017e\u00e1dn\u00e9 spolehliv\u00e9 informace o Bionim. Je mo\u017en\u00e9, \u017ee kant\u00e1ty mohly b\u00fdt naps\u00e1ny pro olomouck\u00e9ho biskupa Wolfganga Hannibala von Schrattenbach. Proto\u017ee v t\u00e9 dob\u011b Bioni nem\u011bl st\u00e1l\u00e9 m\u00edsto, mohl biskupa t\u00edmto zp\u016fsobem po\u017e\u00e1dat o pr\u00e1ci hudebn\u00edka. Mo\u017enost v\u00fdjime\u010dn\u00e9ho postaven\u00ed, kter\u00e9 m\u011bli ital\u0161t\u00ed um\u011blci na dvo\u0159e biskupa Schrattenbacha, to \u010din\u00ed vysoce pravd\u011bpodobn\u00fdm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Zuzana \u010cern\u00e1<\/em><em><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">P\u0159eklad kant\u00e1ty <strong>Se non poss&#8216; io<\/strong> <em>(Kdy\u017e nemohu)<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c1rie:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nemohu-li \u017e\u00edt v&nbsp;nad\u011bji, drah\u00e1, sv\u011b\u0159uji v\u00e1m jen vzpom\u00ednku na sebe.<br>A\u010d v\u00e1m o m\u00e9m tr\u00e1pen\u00ed ka\u017ed\u00fd pov\u00ed, nebude v\u00e1s to st\u00e1t v\u00edc, ne\u017e jen slitov\u00e1n\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Recitativ:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u011bd\u00ed to Bohov\u00e9 i j\u00e1 ne\u0161\u0165astn\u00fd s\u00e1m v\u00edm, jak n\u011b\u017en\u011b jsem v\u00e1s miloval, drah\u00e9 kr\u00e1sn\u00e9 o\u010di, av\u0161ak, kdy\u017e jsou va\u0161e city n\u011bm\u00e9 (lhostejn\u00e9) v\u016f\u010di m\u00e9mu srdci, a\u010d nep\u0159edstaviteln\u011b b\u00e1je\u010dn\u00e9 by to bylo, s\u00a0vyp\u011bt\u00edm v\u0161ech sil, alespo\u0148 \u010d\u00e1ste\u010dn\u011b z\u00edskat va\u0161e zdr\u00e1haj\u00edc\u00ed se srdce, rozhodl jsem rad\u011bji hned zapudit to mu\u010div\u00e9 tr\u00e1pen\u00ed, a to jedin\u00e9, co bych si p\u0159\u00e1l, prosebn\u00edk u va\u0161ich nohou, aby v\u00e1s neobt\u011b\u017eovala vzpom\u00ednka na m\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c1rie:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Budu trp\u011bt, ale ve sv\u00e9m utrpen\u00ed ut\u011b\u0161en laskavost\u00ed se nadechnu.<br>Budu p\u0159esv\u011bd\u010den, \u017ee m\u00fdm osudem a m\u00fdm v\u011b\u010dn\u00fdm \u0161t\u011bst\u00edm je opustit tu, kter\u00e1 m\u011b zranila.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">P\u0159eklad kant\u00e1ty <strong>Se non ti moro a&#8216; lato<\/strong> <em>(Nezem\u0159u-li po tv\u00e9m boku)<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c1rie:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nezem\u0159u-li po tv\u00e9m boku, idole m\u00e9ho srdce, pak zem\u0159u s&nbsp;tv\u00fdm kr\u00e1sn\u00fdm milovan\u00fdm jm\u00e9nem na rtech.<br>Sbohem m\u016fj \u017eivote, sbohem, nepla\u010d nad m\u00fdm uboh\u00fdm osudem, j\u00e1 ne, to ty jsi v\u011brn\u00e1 a j\u00e1 to v\u00edm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Recitativ:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U\u017e mnohokr\u00e1t jsem ti \u0159ekl, \u017ee jsem jen pro tebe, m\u00e1 drah\u00e1, \u0161\u0165astn\u011b \u017eil, ale pak z\u00e1sahem sm\u011bl\u00e9 \u0161t\u011bst\u011bny, ach Bo\u017ee, p\u0159ibl\u00ed\u017eil jsem se konce \u017eivota, abych odevzdal sv\u016fj posledn\u00ed vzdech smrti. A pokud tv\u00e1 st\u00e1lost vytrv\u00e1, a\u010d trp\u00edm v&nbsp;krut\u00fdch bolestech, bu\u010f si jist\u00e1, \u017ee nav\u017edy z\u016fstane\u0161 mou nejdra\u017e\u0161\u00ed, nejzbo\u017e\u0148ovan\u011bj\u0161\u00ed z&nbsp;Elysejsk\u00fdch. A d\u0159\u00edve, ne\u017e zem\u0159u, p\u0159ijmi jako d\u016fkaz m\u00e9 l\u00e1sky posledn\u00ed sbohem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c1rie:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ano, zem\u0159u \u0161\u0165asten, pokud nav\u017edy z\u016fstane\u0161 takov\u00e1 jako jsi byla kdysi, vde\u010dn\u00e1 a v\u011brn\u00e1.<br>Nebude pro m\u011b utrpen\u00ed zem\u0159\u00edt, kdy\u017e jsem t\u011b zbo\u017e\u0148oval a snesu tak krutou smrt.<br>Neuc\u00edt\u00edm bolest um\u00edr\u00e1n\u00ed, kdy\u017e jsem t\u011b zbo\u017e\u0148oval a snesu tak krutou smrt.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">P\u0159eklad \u00e1rie <strong>De tanti fidi<\/strong><em> (Tolika v\u011brn\u00fdch)<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Klidn\u011b naslouch\u00e1\u0161 pl\u00e1\u010di tolika v\u011brn\u00fdch milenc\u016f a jak m\u00e1m uv\u011b\u0159it, \u017ee jsi mi st\u00e1le v\u011brn\u00e1. Vzdychej (touhou) \u2026 nech se un\u00e1\u0161et my\u0161lenkami\u2026 poslouchej jeho opr\u00e1vn\u011bn\u00e9 n\u00e1\u0159ky a i kdy\u017e s&nbsp;tebou nemluv\u00ed, nebu\u010f k&nbsp;n\u011bmu krut\u00e1. Jsou svat\u00e9 jeho opr\u00e1vn\u011bn\u00e9 n\u00e1\u0159ky a i kdy\u017e s&nbsp;tebou nemluv\u00ed, nebu\u010f k&nbsp;n\u011bmu krut\u00e1.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">P\u0159eklad textu kant\u00e1ty <strong>Innocente \u00e8 il mio martire<\/strong><em> (Nevinn\u00e9 je m\u00e9 tr\u00e1pen\u00ed)<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c1rie:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nevinn\u00e9 je m\u00e9 tr\u00e1pen\u00ed, v\u017edy\u0165 se smrtelnou bolest\u00ed moje du\u0161e nedok\u00e1\u017ee \u017e\u00edt. Cel\u00e9 napln\u011bn\u00e9 hr\u016fzou usou\u017een\u00e9 c\u00edt\u00edm srdce; d\u00e1v\u00e1 strach, d\u00e1v\u00e1 bolest \u2013 co je to za tr\u00fdze\u0148 u\u017e \u0159\u00edci neum\u00edm, ne, neum\u00edm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Recitativ:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alespo\u0148 ve sp\u00e1nku, \u00f3 bozi, poskytn\u011bte, by\u0165 jen sebemen\u0161\u00ed, odpo\u010dinek du\u0161i m\u00e9. Nebo\u0165 s ochablou tv\u00e1\u0159\u00ed, sinal\u00fdm rtem a pak se zmaten\u00fdm srdcem du\u0161e m\u00e1 takto nyn\u00ed \u017eij\u00edc, um\u00edr\u00e1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jestli\u017ee p\u0159ivol\u00e1m k&nbsp;o\u010d\u00edm sp\u00e1nek, p\u0159ed p\u0159\u00edzraky a hr\u016fzami se chv\u011bji, f\u00farie z&nbsp;L\u00e9th\u00e9 vid\u00edm a d\u011bs\u00edm se: Neboh\u00e9 skl\u00ed\u010den\u00e9 srdce, pomoci ti nemohu, a p\u0159ece str\u00e1dat mus\u00edm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00c1rie:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Krut\u00e9 nebe, v\u0161ak pov\u011bz mi, kdy? S&nbsp;m\u00fdm srdcem, je\u017e str\u00e1d\u00e1, zdalipak bude\u0161 s&nbsp;n\u00edm m\u00edt soucit! P\u0159\u00edli\u0161 trpk\u00e9 budou m\u00e9 strasti, stejn\u011b jako tvrd\u00e9 budou okovy, neut\u011b\u0161\u00ed\u0161-li du\u0161i, je\u017e blouzn\u00ed.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">P\u0159eklad fin\u00e1le z&nbsp;opery <strong>Orlando furioso<\/strong><em> (Zu\u0159iv\u00fd Roland)<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Vstupuje v&nbsp;n\u00e1s bo\u017e\u00ed l\u00e1ska<br>Av\u0161ak touha na\u0161eho srdce<br>Ji m\u011bn\u00ed ve vin\u00edka.<br>Kdy\u017e miluje\u0161 kr\u00e1su<br>Pak obraz nebes<br>Je jej\u00edm autorem.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00fater\u00fd 9. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v&nbsp;Olomouci, S\u00e1l V\u00e1clava III. Program: Antonio Bioni (cca 1698\u2013?) \u00da\u010dinkuj\u00ed: Vojt\u011bch Pelka \u2013 sopr\u00e1nOnd\u0159ej Benek \u2013&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1357","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/comments?post=1357"}],"version-history":[{"count":12,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1357\/revisions"}],"predecessor-version":[{"id":1458,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1357\/revisions\/1458"}],"wp:attachment":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/media?parent=1357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}