{"id":1422,"date":"2026-05-27T23:05:36","date_gmt":"2026-05-27T22:05:36","guid":{"rendered":"https:\/\/festivalbaroko.cz\/2026\/?page_id=1422"},"modified":"2026-05-28T17:01:20","modified_gmt":"2026-05-28T16:01:20","slug":"josef-antonin-stepan-1726-1797-klavirni-koncerty-z-kromerize","status":"publish","type":"page","link":"https:\/\/festivalbaroko.cz\/2026\/josef-antonin-stepan-1726-1797-klavirni-koncerty-z-kromerize\/","title":{"rendered":"Josef Anton\u00edn \u0160t\u011bp\u00e1n (1726-1797): Klav\u00edrn\u00ed koncerty z\u00a0Krom\u011b\u0159\u00ed\u017ee"},"content":{"rendered":"\n

K 300. v\u00fdro\u010d\u00ed narozen\u00ed v\u00fdznamn\u00e9ho \u010desk\u00e9ho skladatele<\/h2>\n\n\n\n

st\u0159eda 3. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci, S\u00e1l V\u00e1clava III.<\/h3>\n\n\n\n
\n\n\n\n

\u00da\u010dinkuj\u00ed:<\/strong><\/h3>\n\n\n\n

Petra Mat\u011bjov\u00e1 \u2013 hammerklavier
Magdalena Mal\u00e1, Mark\u00e9ta Knittlov\u00e1 \u2013 housle
Jana Vav\u0159\u00ednkov\u00e1 \u2013 viola
Helena Maty\u00e1\u0161ov\u00e1 \u2013 violoncello
Ji\u0159\u00ed Hammer, Mat\u011bj Steininger \u2013 p\u0159irozen\u00e9 lesn\u00ed rohy<\/p>\n\n\n\n

\n\n\n\n

Podrobn\u00fd program:<\/strong><\/h3>\n\n\n\n

Josef Anton\u00edn \u0160t\u011bp\u00e1n (1726\u20131797): <\/strong>
Koncert Es dur pro klav\u00edr, dvoje housle, violu, bas a dva lesn\u00ed rohy
<\/em><\/strong>I. Adagio \u2013 Allegro
II. Adagio
III. Allegro<\/p>\n\n\n\n

W. A. Mozart (1756\u20131791): 
Trio pro klav\u00edr, housle a violoncello C dur, K. 548<\/em><\/strong>
I. Allegro
II. Andante cantabile
III. Allegro<\/p>\n\n\n\n

Josef Anton\u00edn \u0160t\u011bp\u00e1n (1726\u20131797): <\/strong>
Koncert D dur pro klav\u00edr, dvoje housle, violu, bas a dva lesn\u00ed rohy<\/em><\/strong>
I. Adagio \u2013 Allegro
II. Andante
III. Allegro<\/p>\n\n\n\n

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J. A. \u0160t\u011bp\u00e1n<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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\"\"
W. A. Mozart<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Josef Anton\u00edn \u0160t\u011bp\u00e1n<\/strong> (v zahrani\u010d\u00ed zn\u00e1m\u00fd jako Joseph Anton Steffan<\/em> nebo Giuseppe Antonio Steffani<\/em>) byl v\u00fdznamn\u00fd \u010desk\u00fd hudebn\u00ed skladatel, klav\u00edrista a hudebn\u00ed pedagog<\/strong>, jeho\u017e tvorba pro\u0161la v\u00fdvojem od rokoka a\u017e po vrcholn\u00fd v\u00edde\u0148sk\u00fd klasicismus. Narodil se 14. b\u0159ezna 1726 v Kopidln\u011b a zem\u0159el 12. dubna 1797 ve V\u00eddni. Z\u00e1kladn\u00ed hudebn\u00ed vzd\u011bl\u00e1n\u00ed z\u00edskal od sv\u00e9ho otce kantora. B\u011bhem v\u00e1lek o rakousk\u00e9 d\u011bdictv\u00ed uprchl p\u0159ed prusk\u00fdmi vojsky do V\u00eddn\u011b, kde se stal \u017e\u00e1kem Franti\u0161ka Ign\u00e1ce T\u016fmy a slavn\u00e9ho Georga Christopha Wagenseila. Ve V\u00eddni z\u00edskal pov\u011bst jednoho z nejlep\u0161\u00edch hr\u00e1\u010d\u016f na kl\u00e1vesov\u00e9 n\u00e1stroje (cembalo a ran\u00e9 klav\u00edry). P\u016fsobil jako u\u010ditel hry na klav\u00edr u v\u00edde\u0148sk\u00e9ho dvora, kde vyu\u010doval i dcery Marie Terezie, vedle budouc\u00ed francouzsk\u00e9 kr\u00e1lovny Marie Antoinetty i Marii Karolinu budouc\u00ed kr\u00e1lovnu neapolskou. V roce 1775 musel kv\u016fli postupuj\u00edc\u00ed ztr\u00e1t\u011b zraku odej\u00edt do penze, dv\u016fr mu v\u0161ak ponechal st\u00e1l\u00fd plat. Zbytek \u017eivota str\u00e1vil ve v\u00edde\u0148sk\u00fdch um\u011bleck\u00fdch salonech. Mezi jeho nejv\u00fdznamn\u011bj\u0161\u00ed d\u00edla pat\u0159\u00ed p\u0159edev\u0161\u00edm <\/strong>skladby pro kl\u00e1vesov\u00e9 n\u00e1stroje. Slo\u017eil des\u00edtky cembalov\u00fdch a klav\u00edrn\u00edch koncert\u016f, son\u00e1t a variac\u00ed. Pat\u0159il k pr\u016fkopn\u00edk\u016fm n\u011bmeck\u00e9 um\u011bl\u00e9 p\u00edsn\u011b s doprovodem klav\u00edru (Lieder<\/em>). Je autorem n\u011bkolika m\u0161\u00ed, requiem a jednoho oratoria a singspielu. \u0160t\u011bp\u00e1n byl star\u00fd ml\u00e1denec a sv\u016fj majetek odk\u00e1zal \u0161kole v rodn\u00e9m Kopidln\u011b.<\/p>\n\n\n\n

Skladby Josefa Anton\u00edna \u0160t\u011bp\u00e1na se dochovaly p\u0159edev\u0161\u00edm v Arcibiskupsk\u00e9m z\u00e1mku v Krom\u011b\u0159\u00ed\u017ei<\/strong> (dnes pod spr\u00e1vou Muzea um\u011bn\u00ed Olomouc), kde tvo\u0159\u00ed v\u00fdznamnou \u010d\u00e1st Krom\u011b\u0159\u00ed\u017esk\u00e9ho hudebn\u00edho archivu.\u010c\u00e1st jeho tvorby je ulo\u017eena tak\u00e9 ve Wroclawi a \u010cesk\u00e9m muzeu hudby v Praze.<\/p>\n\n\n\n

Josef Anton\u00edn \u0160t\u011bp\u00e1n a Wolfgang Amadeus Mozart<\/strong> nebyli p\u0159\u00e1tel\u00e9 v prav\u00e9m slova smyslu, ale sp\u00ed\u0161e kolegov\u00e9 a vz\u00e1jemn\u011b se respektuj\u00edc\u00ed sou\u010dasn\u00edci. \u0160t\u011bp\u00e1n byl o 30 let star\u0161\u00ed ne\u017e Mozart. Na p\u0159elomu 70. a 80. let 18. stolet\u00ed pat\u0159il \u0160t\u011bp\u00e1n ve V\u00eddni k nejuzn\u00e1van\u011bj\u0161\u00edm a nejvyhled\u00e1van\u011bj\u0161\u00edm klav\u00edrn\u00edm pedagog\u016fm a skladatel\u016fm. Vzhledem k tomu, \u017ee \u0160t\u011bp\u00e1n p\u016fsobil p\u0159\u00edmo jako c\u00edsa\u0159sk\u00fd dvorn\u00ed klav\u00edrn\u00ed mistr, jeho inovativn\u00ed pojet\u00ed hry bylo Mozartovi a dal\u0161\u00ed v\u00edde\u0148sk\u00fdm hudebn\u00edk\u016fm dob\u0159e zn\u00e1m\u00e9. Jako\u017eto prominentn\u00ed klav\u00edrista m\u011bl \u0160t\u011bp\u00e1n p\u0159\u00edstup do stejn\u00fdch v\u00edde\u0148sk\u00fdch um\u011bleck\u00fdch kruh\u016f, kde se Mozart s dal\u0161\u00edmi skladateli jako Haydn nebo Salieri b\u011b\u017en\u011b pohyboval. P\u016fsobili ve stejn\u00e9m prost\u0159ed\u00ed V\u00eddn\u011b, kde se setk\u00e1vali d\u00edky spole\u010densk\u00fdm kontakt\u016fm, nap\u0159. v salonu dvorn\u00edho rady Franze von Greinera, jeho\u017e dceru, budouc\u00ed slavnou spisovatelku Karolinu Pichlerouvou, \u0160t\u011bp\u00e1n vyu\u010doval. Mozart i \u0160t\u011bp\u00e1n pat\u0159ili ke skladatel\u016fm, kte\u0159\u00ed v\u00fdrazn\u011b rozvinuli formu klav\u00edrn\u00edho koncertu a polo\u017eili z\u00e1klady novodob\u00e9 um\u011bl\u00e9 p\u00edsn\u011b s klav\u00edrn\u00edm doprovodem. \u0160t\u011bp\u00e1n byl v tomto ohledu pr\u016fkopn\u00edkem a Mozart na tento v\u00fdvoj v mnoh\u00e9m bezprost\u0159edn\u011b nav\u00e1zal.<\/p>\n\n\n

\n
\"\"
Rozhovor W. A. Mozarta s J. A. \u0160t\u011bp\u00e1nem
(AI ilustrace: T. Hanzl\u00edk)<\/em><\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

K 300. v\u00fdro\u010d\u00ed narozen\u00ed v\u00fdznamn\u00e9ho \u010desk\u00e9ho skladatele st\u0159eda 3. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v Olomouci, S\u00e1l V\u00e1clava III. \u00da\u010dinkuj\u00ed: Petra Mat\u011bjov\u00e1 \u2013 hammerklavierMagdalena Mal\u00e1,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1422","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/comments?post=1422"}],"version-history":[{"count":5,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1422\/revisions"}],"predecessor-version":[{"id":1453,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1422\/revisions\/1453"}],"wp:attachment":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/media?parent=1422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}