{"id":1460,"date":"2026-05-28T23:58:37","date_gmt":"2026-05-28T22:58:37","guid":{"rendered":"https:\/\/festivalbaroko.cz\/2026\/?page_id=1460"},"modified":"2026-05-29T15:24:51","modified_gmt":"2026-05-29T14:24:51","slug":"jan-josef-rosler-1771-1812-pisne","status":"publish","type":"page","link":"https:\/\/festivalbaroko.cz\/2026\/jan-josef-rosler-1771-1812-pisne\/","title":{"rendered":"Jan Josef R\u00f6sler (1771-1812): P\u00edsn\u011b"},"content":{"rendered":"\n<h3 class=\"wp-block-heading datum\">pond\u011bl\u00ed 8. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v&nbsp;Olomouci, S\u00e1l V\u00e1clava III.<\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">\u00da\u010dinkuj\u00ed:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dorota Grossov\u00e1<\/strong> \u2013 mezzosopr\u00e1n<br><strong>Martin Smutn\u00fd<\/strong> \u2013 klavichord<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Program:<\/strong><strong><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Nepomuk Augustin Vit\u00e1sek (1770\u20131839): Sc\u00e9na z&nbsp;melodramu David<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tom\u00e1\u0161 Hanzl\u00edk (*1972): Rondino<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Josef R\u00f6sler(1771\u20131812): In questa tomba oscura<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Josef Anton\u00edn \u0160t\u011bp\u00e1n (1726\u20131797): Der Soldat<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Josef Anton\u00edn \u0160t\u011bp\u00e1n (1726\u20131797): Der M\u00e4dchenlehrer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Josef Anton\u00edn \u0160t\u011bp\u00e1n (1726\u20131797): Maggio (1762)<br>I. Andantino<br>II. Comodo<br>III. Tempo di Giusto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Josef R\u00f6sler (1771\u20131812): <br>Das Leben ist der Welle gleich<br>Auf das erste Veilchen<br>Am Aschenmittwoch<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anton\u00edn Rejcha (1770-1836): Fuga fis moll<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tom\u00e1\u0161 Hanzl\u00edk (*1972): Sonata D dur<br>I. Adagio miracoloso e rubato<br>II. Allegretto pittoresco<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vojt\u011bch J\u00edrovec (1763\u20131850): Trinklied<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Josef R\u00f6sler (1771\u20131812): An die Entfernte<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><img decoding=\"async\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/roesler-300x300.jpg\" alt=\"\"><\/td><td class=\"has-text-align-center\" data-align=\"center\"><img decoding=\"async\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/vitasek-300x300.jpg\" alt=\"\"><\/td><td class=\"has-text-align-center\" data-align=\"center\"><img decoding=\"async\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/jirovec-300x300.jpg\" alt=\"\"><\/td><td class=\"has-text-align-center\" data-align=\"center\"><img decoding=\"async\" src=\"https:\/\/festivalbaroko.cz\/2026\/wp-content\/uploads\/2026\/05\/hanzlik-1-300x300.jpg\" alt=\"\"><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">J. J. R\u00f6sler<\/td><td class=\"has-text-align-center\" data-align=\"center\">J. A. Vit\u00e1sek<\/td><td class=\"has-text-align-center\" data-align=\"center\">V. J\u00edrovec<\/td><td class=\"has-text-align-center\" data-align=\"center\">T. Hanzl\u00edk<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>David aneb Osvobozen\u00ed Izraele<\/strong>&nbsp;(<em>David oder Die Befreiung Israel<\/em>) je&nbsp;hudebn\u011b-dramatick\u00e9 d\u00edlo \u010desk\u00e9ho skladatele&nbsp;<strong>Jana Nepomuka Augusta Vit\u00e1ska<\/strong>&nbsp;(1770 Ho\u0159\u00edn \u20131839 Praha) z roku&nbsp;<strong>1810<\/strong>. V odborn\u00e9 literatu\u0159e a historick\u00fdch pramenech b\u00fdv\u00e1 toto d\u00edlo ozna\u010dov\u00e1no st\u0159\u00eddav\u011b jako&nbsp;<strong>melodram<\/strong>, opera nebo velk\u00e9 hudebn\u00ed drama o \u010dty\u0159ech jedn\u00e1n\u00edch. D\u00edlo bylo s velk\u00fdm \u00fasp\u011bchem uvedeno v pra\u017esk\u00e9m&nbsp;Stavovsk\u00e9m divadle&nbsp;v roce&nbsp;<strong>1810.<\/strong> V letech 1810 a 1811 se do\u010dkalo celkem&nbsp;<strong>12 repr\u00edz<\/strong>, co\u017e na tehdej\u0161\u00ed pra\u017esk\u00e9 pom\u011bry znamenalo div\u00e1ck\u00fd \u00fasp\u011bch.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V dne\u0161n\u00ed dob\u011b je hudebn\u00ed skladatel&nbsp;<strong>Jan Josef R\u00f6sler<\/strong>&nbsp;(1771 B\u00e1nsk\u00e1 \u0160tiavnica \u20131812 Praha) nejzn\u00e1m\u011bj\u0161\u00ed t\u00edm, \u017ee jeho&nbsp;<strong><em>Klav\u00edrn\u00ed koncert D dur<\/em><\/strong><strong> byl v\u00edce ne\u017e 100 let myln\u011b pova\u017eov\u00e1n za d\u00edlo Ludwiga van Beethovena<\/strong><strong>.<\/strong> Tato z\u00e1m\u011bna jasn\u011b dokazuje mimo\u0159\u00e1dnou \u0159emeslnou a um\u011bleckou \u00farove\u0148 jeho kompozic, kter\u00e9 snesly srovn\u00e1n\u00ed s nejv\u011bt\u0161\u00edm g\u00e9niem tehdej\u0161\u00ed doby. R\u00f6sler byl ve skute\u010dnosti velk\u00fdm obdivovatelem W. A. Mozarta. Pro dne\u0161n\u00ed poslucha\u010de je raritou jeho&nbsp;<em>Kant\u00e1ta na Mozartovu smrt<\/em>, kter\u00e1 hudebn\u011b i dramaticky reflektuje hlubok\u00fd z\u00e1rmutek nad odchodem tohoto velik\u00e1na. Premi\u00e9ra prob\u011bhla v&nbsp;r\u00e1mci festivalu Baroko 2024. R\u00f6sler p\u016fsobil jako kapeln\u00edk u kn\u00ed\u017eete Franti\u0161ka Maxmili\u00e1na Lobkovice. St\u00e1l tak v centru hudebn\u00edho d\u011bn\u00ed v \u010cech\u00e1ch v dob\u011b, kdy na stejn\u00e9m z\u00e1mku Jeze\u0159\u00ed zazn\u00edvala v soukrom\u00e9 premi\u00e9\u0159e Beethovenova symfonie&nbsp;<em>Eroica<\/em>.&nbsp;R\u00f6slerovy p\u00edsn\u011b na texty slavn\u00fdch liter\u00e1t\u016f (nap\u0159. J. W. Goetheho) jsou vysoce cen\u011bn\u00e9 pro svou intimitu a jsou dnes vyhled\u00e1van\u00fdm reperto\u00e1rem s\u00f3lov\u00fdch p\u011bveck\u00fdch recit\u00e1l\u016f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00edse\u0148&nbsp;<strong><em>In questa tomba oscura<\/em><\/strong>&nbsp;je zhudebn\u011bn\u00ed slavn\u00e9ho melancholick\u00e9ho italsk\u00e9ho textu, jeho\u017e autorem je libretista&nbsp;<strong>Giuseppe Carpani,<\/strong> a\u010dkoliv nejzn\u00e1m\u011bj\u0161\u00ed verzi slo\u017eil&nbsp;<em><strong>Ludwig van Beethoven<\/strong><\/em>&nbsp;(WoO 133) v roce 1807. <strong><em>An die Entfernte<\/em><\/strong>&nbsp;(Vzd\u00e1len\u00e9 mil\u00e9) poch\u00e1z\u00ed z roku&nbsp;<strong>1804.<\/strong><strong> <\/strong>Goetheho text vyjad\u0159uje hlubokou melancholii, bolest ze ztr\u00e1ty a touhu po milovan\u00e9 osob\u011b, kter\u00e1 je daleko. R\u00f6slerovo zpracov\u00e1n\u00ed z roku 1804 je pova\u017eov\u00e1no za jedno z v\u016fbec&nbsp;nejstar\u0161\u00edch dochovan\u00fdch hudebn\u00edch ztv\u00e1rn\u011bn\u00ed&nbsp;t\u00e9to popul\u00e1rn\u00ed Goetheho b\u00e1sn\u011b (p\u0159edb\u011bhl tak slavn\u00e9 verze od Franze Schuberta \u010di Felixe Mendelssohna).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Josef Anton\u00edn \u0160t\u011bp\u00e1n<\/strong>, v n\u011bmeckojazy\u010dn\u00e9m prost\u0159ed\u00ed zn\u00e1m\u00fd jako\u00a0<strong>Joseph Anton Steffan<\/strong>(1726 Kopidlno \u2013 1797 V\u00edde\u0148) pat\u0159il k nejv\u00fdznamn\u011bj\u0161\u00edm hudebn\u00edk\u016fm sv\u00e9 doby. <em>Der Soldat<\/em>\u00a0(text Christiana Felixe Weisseho) a\u00a0<em>Der M\u00e4dchenlehrer<\/em>\u00a0jsou ran\u00e9 n\u011bmeck\u00e9 p\u00edsn\u011b s doprovodem kl\u00e1vesov\u00e9ho n\u00e1stroje. Tyto skladby p\u0159edstavuj\u00ed kl\u00ed\u010dov\u00fd p\u0159\u00edsp\u011bvek k formov\u00e1n\u00ed \u017e\u00e1nru n\u011bmeck\u00e9 p\u00edsn\u011b (tzv.\u00a0<em>Lied<\/em>) druh\u00e9 poloviny 18. stolet\u00ed.\u00a0\u0160t\u011bp\u00e1n pat\u0159il k prvn\u00edm autor\u016fm, kte\u0159\u00ed za\u010dali ps\u00e1t p\u00edsn\u011b s prokomponovan\u00fdm, samostatn\u00fdm klav\u00edrn\u00edm doprovodem nam\u00edsto pouh\u00e9ho gener\u00e1ln\u00edho basu. T\u00edm p\u0159\u00edmo vydl\u00e1\u017edil cestu pro pozd\u011bj\u0161\u00ed mistry jako Joseph Haydn a Wolfgang Amadeus Mozart.\u00a0<em>Maggio <\/em>(Kv\u011bten) poch\u00e1z\u00ed z\u00a0krom\u011b\u0159\u00ed\u017esk\u00e9ho z\u00e1meck\u00e9ho archivu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Fuga fis moll<\/em><strong> <\/strong>pro klav\u00edr&nbsp;od&nbsp;<a href=\"https:\/\/slovnik.ceskyhudebnislovnik.cz\/component\/mdictionary\/?task=record.record_print&amp;tmpl=component&amp;id=4223\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Anton\u00edna Rejchy<\/strong><\/a><strong>&nbsp;<\/strong>(1770 Praha \u2013 1836 Pa\u0159\u00ed\u017e) je jedn\u00edm z mnoha praktick\u00fdch p\u0159\u00edklad\u016f v jeho teoretick\u00e9m d\u00edle&nbsp;<a href=\"https:\/\/www.togga.cz\/pojednani-o-kontrapunktu\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pojedn\u00e1n\u00ed o kontrapunktu<\/a>&nbsp;(p\u016fvodn\u011b vydan\u00e9m v Pa\u0159\u00ed\u017ei v letech 1824\u20131826 jako&nbsp;<em>Trait\u00e9 de haute composition musicale<\/em>). Tato skladba demonstruje Rejchovy pokrokov\u00e9 teorie aktualizuj\u00edc\u00ed barokn\u00ed kompozi\u010dn\u00ed praxi.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Trinklied<\/em><\/strong>&nbsp;<strong>Vojt\u011bcha Maty\u00e1\u0161e J\u00edrovce<\/strong>&nbsp;(1763 \u010cesk\u00e9 Bud\u011bjovice \u2013 1850 V\u00edde\u0148) (v zahrani\u010d\u00ed zn\u00e1m\u00e9ho jako&nbsp;<strong>Adalbert Gyrowetz<\/strong>) odkazuje na <em>oslavu v\u00edna. J\u00edrovec<\/em><em> <\/em><em>t<\/em>\u00e9m\u011b\u0159 30 let p\u016fsobil jako dvorn\u00ed kapeln\u00edk v\u00edde\u0148sk\u00e9 Dvorn\u00ed opery. V&nbsp;r\u00e1mci festivalu Baroko 2023 zazn\u011bla obnoven\u00e1 premi\u00e9ra jeho zp\u011bvohry <em>L\u00e9ka\u0159 o\u010dn\u00ed<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Rondino<\/em><\/strong><strong> <\/strong><strong>a<\/strong><strong> <\/strong><strong><em>Son\u00e1ta D dur<\/em><\/strong><strong><em> <\/em><\/strong>skladatele <strong>Tom\u00e1\u0161e Hanzl\u00edka<\/strong> (*1972 Pardubice) vy\u0161ly jako sou\u010d\u00e1st autorsk\u00e9ho alba&nbsp;<em>Fortepiano<\/em>&nbsp;(2023). Nahr\u00e1vku interpretoval Martin Smutn\u00fd na modern\u00ed klav\u00edr.&nbsp;Skladby v sob\u011b spojuj\u00ed Hanzl\u00edk\u016fv typick\u00fd minimalismus s vlivy barokn\u00ed a klasicistn\u00ed hudby, co\u017e se odr\u00e1\u017e\u00ed i v neobvykl\u00fdch italsk\u00fdch n\u00e1zvech v\u011bt. Strukturn\u00ed odkazov\u00e1n\u00ed do minulosti p\u0159\u00edmo vyb\u00edz\u00ed k&nbsp;pou\u017eit\u00ed historick\u00e9ho kl\u00e1vesov\u00e9ho n\u00e1stroje.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Klavichord<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Klavichord pat\u0159\u00ed k nejstar\u0161\u00edm kl\u00e1vesov\u00fdm n\u00e1stroj\u016fm evropsk\u00e9 hudby. Objevil se ji\u017e<br>ve st\u0159edov\u011bku a sv\u00e9ho vrcholu dos\u00e1hl v obdob\u00ed renesance a baroka. T\u00f3n vznik\u00e1 dotykem kovov\u00e9 tangenty se strunou, co\u017e hr\u00e1\u010di umo\u017e\u0148uje mimo\u0159\u00e1dn\u011b jemnou kontrolu dynamiky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ve srovn\u00e1n\u00ed s cembalem nebo klav\u00edrem je klavichord velmi tich\u00fd a intimn\u00ed n\u00e1stroj ur\u010den\u00fd p\u0159edev\u0161\u00edm pro dom\u00e1c\u00ed hudbu a citlivou interpretac\u00ed. Pr\u00e1v\u011b pro jeho v\u00fdrazovou jemnost byl cen\u011bn\u00fd \u0159adou skladatel\u016f v \u010dele s J. S. Bachem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Klavichord dok\u00e1\u017ee vytvo\u0159it i lehk\u00e9 chv\u011bn\u00ed t\u00f3nu p\u0159ipom\u00ednaj\u00edc\u00ed vibrato lidsk\u00e9ho hlasu. D\u00edky sv\u00e9 bezprost\u0159ednosti a citlivosti b\u00fdv\u00e1 ozna\u010dov\u00e1n za nejintimn\u011bj\u0161\u00ed z historick\u00fdch kl\u00e1vesov\u00fdch n\u00e1stroj\u016f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rozli\u0161ujeme dva typy klavichordu:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1. <strong>v\u00e1zan\u00fd <\/strong>\u2013 historicky star\u0161\u00ed, jedna dvojice strun je spole\u010dn\u00e1 pro v\u00edce t\u00f3n\u016f\u2013kl\u00e1ves a v\u00fd\u0161ku t\u00f3n\u016f ur\u010duje m\u00edsto\u2013vzd\u00e1lenost od kobylky, kde tangenty ude\u0159\u00ed do struny;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. <strong>voln\u00fd <\/strong>\u2013 ka\u017ed\u00e1 dvojice strun m\u00e1 jen jednu konkr\u00e9tn\u00ed kl\u00e1vesu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00e1zan\u00fdm klavichordem je i ten, kter\u00fd dnes usly\u0161\u00edte. U tohoto n\u00e1stroje nebyl p\u016fvodn\u011b zn\u00e1m v\u00fdrobce, ale b\u011bhem restaur\u00e1torsk\u00fdch pr\u00e1ci, proveden\u00fdch v roce 2024\u20132025 panem Janem Be\u010di\u010dkou, byl autorsky p\u0159ips\u00e1n kutnohorsk\u00e9mu staviteli a varhan\u00e1\u0159i <strong>Thomasu Wokurkovi<\/strong> a doba jeho vzniku je 2. polovina 18. stolet\u00ed. N\u00e1stroj je zap\u016fj\u010den\u00fd z depozit\u00e1\u0159e Vlastiv\u011bdn\u00e9ho muzea Olomouc.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>P\u0159eklady text\u016f melodramu a p\u00edsn\u00ed<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. A. Vit\u00e1sek: <\/strong><strong>Sc\u00e9na z&nbsp;melodramu <em>David<\/em><\/strong><strong><\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Jak p\u0159\u00edjemn\u011b odpo\u010d\u00edv\u00e1 miluj\u00edc\u00ed srdce tlukouc\u00ed v ryz\u00ed hrudi na tomto tvrd\u00e9m kameni \u2013 n\u011b\u017en\u011bji ne\u017e na nad\u00fdchan\u00e9m pol\u0161t\u00e1\u0159i, v n\u011bm\u017e srdce nebije.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Toto doup\u011b bylo Micholin\u00fdm skryt\u00fdm \u00fato\u010di\u0161t\u011bm, kdy\u017e ji bezmezn\u00e1 je\u0161itnost kr\u00e1lovsk\u00e9ho otce vyhnala kv\u016fli marniv\u00fdm pomluv\u00e1m u dvora do t\u011bchto tich\u00fdch chodeb \u2013 tou\u017eebn\u011b ji hled\u00e1m po dlouh\u00e9m dni nam\u00e1hav\u00e9 pr\u00e1ce, ji, jej\u00ed\u017e bezpe\u010dn\u00fd prostor uchov\u00e1val v sob\u011b m\u00e9 v\u0161echno!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U\u017e m\u011b net\u011b\u0161\u00ed kr\u00e1sn\u00fd v\u00fdhled z vysok\u00fdch hor, ani bujar\u00e9 vesel\u00ed past\u00fd\u0159\u016f, ani sm\u011bl\u00e9 hry st\u00e1d!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Net\u011b\u0161\u00ed m\u011b odv\u00e1\u017en\u00fd lov divok\u00fdch zv\u00ed\u0159at \u2013 jinak moje nejv\u011bt\u0161\u00ed z\u00e1liba k ochran\u011b utr\u00e1pen\u00e9ho st\u00e1da!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Neust\u00e1le m\u011b to t\u00e1hne sem, na toto posv\u00e1tn\u00e9 m\u00edsto, kde m\u00e9 milovan\u00e9 tekly tich\u00e9 slzy!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A p\u0159ece \u2013 p\u0159ece u\u017e nesly\u0161\u00ed ty milostn\u00e9 t\u00f3ny t\u00e9to harfy. Mo\u017en\u00e1 v Saulov\u00fdch honosn\u00fdch pal\u00e1c\u00edch, raduj\u00edc se z otcovy znovu z\u00edskan\u00e9 p\u0159\u00edzn\u011b, zapom\u00edn\u00e1 na chud\u00e9ho past\u00fd\u0159e, jeho\u017e jedin\u00fdm bohatstv\u00edm je jeho l\u00e1ska k Michol.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. J. R\u00f6sler: In questa tomba oscura \/ V tomto temn\u00e9m hrob\u011b<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">V tomto temn\u00e9m hrob\u011b nech m\u011b odpo\u010d\u00edvat. Kdy\u017e jsem \u017eil, nevd\u011b\u010dnice, tehdy m\u011blas na m\u011b myslet! Nech aspo\u0148 nah\u00e9 st\u00edny u\u017e\u00edt klidu a neprom\u00e1\u010dej zbyte\u010dn\u011b m\u016fj popel jedovat\u00fdmi slzami.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. A. \u0160t\u011bp\u00e1n: Der Soldat \/ Voj\u00e1k<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Kdy\u017e hrd\u011b p\u0159ich\u00e1z\u00ed nastrojen\u00fd v\u00e1le\u010dn\u00edk s kloboukem hluboko do \u010dela, s obna\u017een\u00fdm me\u010dem v \u010dele sv\u00fdch vojsk, pak si p\u0159eji b\u00fdt i j\u00e1 voj\u00e1kem. M\u00e1-li se ale odd\u00edl vydat do \u010cech, kde stoj\u00ed vousat\u00ed pardu\u0159i a hroziv\u011b m\u00e1chaj\u00ed ma\u010detami, pak si nep\u0159eji b\u00fdt voj\u00e1kem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kdy\u017e vtrhnou do pln\u00fdch sklep\u016f a bratrsky spolu hoduj\u00ed v Ma\u010farsku nebo u R\u00fdna, tak si p\u0159eji b\u00fdt voj\u00e1kem. Ale kdy\u017e se chovaj\u00ed neomalen\u011b, lezou na st\u0159echy, valy a zdi, kde jejich masivn\u00ed zbran\u011b chrl\u00ed ohe\u0148, tak si nep\u0159eji b\u00fdt voj\u00e1kem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kdy\u017e se d\u00edvky t\u0159esou strachem z Chorvat\u016f a uchyluj\u00ed se pod jejich ochranu, kterou jim r\u00e1di poskytuj\u00ed, tak si p\u0159eji b\u00fdt voj\u00e1kem. Ale cht\u011bj\u00ed-li loupit a ml\u00e1tit se \u0161avlemi a nestihnou si ani u\u017e\u00edt uloupen\u00e9 ko\u0159isti, pak nechci b\u00fdt voj\u00e1kem.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. A. \u0160t\u011bp\u00e1n: Der M\u00e4dchenlehrer \/ D\u00edv\u010d\u00ed u\u010ditel<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">K necitliv\u00e9mu srdci m\u00e9 kr\u00e1sky m\u00e9 vzdechy a slzy je\u0161t\u011b nedo\u0161ly. Chci jednoho dne obr\u00e1tit list a dovr\u0161it p\u0159\u00edb\u011bh milenc\u016f a od nyn\u011bj\u0161ka b\u00fdt tv\u00fdm u\u010ditelem!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u017de se l\u00edb\u00ed\u0161 v\u0161em mu\u017e\u016fm a \u017ee t\u011b vyhled\u00e1vaj\u00ed, to tv\u016fj kr\u00e1sn\u00fd obli\u010dej v\u00ed u\u017e d\u00e1vno. Ale \u017ee si m\u00e1\u0161 u\u017e\u00edvat toho privilegia, kdy\u017e se ti v\u0161ichni musej\u00ed vzd\u00e1t, to, moje mil\u00e1, nev\u00ed\u0161.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Usilovat jen o dobyt\u00ed, nev\u00e1\u017eit si dobyt\u00e9ho, st\u00e1le prahnout po nov\u00fdch n\u00e1padn\u00edc\u00edch \u2013 to znamen\u00e1 sni\u017eovat se, necenit si \u010dasu a \u0161t\u011bst\u00ed, kter\u00e9 t\u00edm ztr\u00e1c\u00ed\u0161.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pokud se chce\u0161 k m\u00e9mu u\u010den\u00ed oto\u010dit z\u00e1dy, mysli p\u0159i sv\u00e9 volb\u011b na m\u011b. M\u00e1m snad sv\u00fdmi d\u016fvody vzbudit tv\u016fj z\u00e1jem jen pro jin\u00e9? Moje drah\u00e1, zamysli se!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. J. R\u00f6sler: Das Leben ist der Welle gleich \/ \u017divot je jako vlna<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u017divot je jako vlna, kter\u00e1 pramen\u00ed v \u00fadol\u00ed, je\u0161t\u011b \u010dist\u00e1 a jemn\u00e1 se se sladk\u00fdm \u0161um\u011bn\u00edm val\u00ed z t\u016f\u0148ky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Radostn\u011b poskakuje po \u010dist\u00e9m p\u00edsku a ti\u0161e \u0161plouch\u00e1, v\u0161ude l\u00edb\u00e1 zelen\u00fd b\u0159eh a nechce ani nem\u016f\u017ee jinam ut\u00e9ci.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pak rychle sp\u011bch\u00e1 k vodop\u00e1du v\u00e1\u0161n\u00ed, zved\u00e1 se a lask\u00e1 v\u0161ude tam, kde kvetou \u010derstv\u00e9 fialky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pot\u00e9 se ti\u0161e pl\u00ed\u017e\u00ed r\u00e1kos\u00edm, kter\u00e9 \u010dasto jen pozdrav\u00ed a u\u017e se hbit\u011b pot\u00e1p\u00ed trn\u00edm do mo\u010d\u00e1lu za svou vlnou.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brzy p\u0159ijde mal\u00e1 vlnka a spoj\u00ed se s velkou vlnou a n\u011b\u017en\u011b, nap\u016fl pla\u010dtiv\u011b \u0161ept\u00e1: &#8222;Jak j\u00e1 T\u011b miluji!&#8220;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pak se k t\u011bmto vln\u00e1m p\u0159ipoj\u00ed mal\u00e9 vlnky a vesele a p\u0159ekr\u00e1sn\u011b poskakuj\u00ed klikat\u00fdm korytem pot\u016f\u010dku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Unaven\u00e9 dlouh\u00fdm bojem sm\u011b\u0159uj\u00ed mal\u00e1tn\u011b ke b\u0159ehu a ne\u017e se nad\u011bj\u00ed, doraz\u00ed k velk\u00e9mu oce\u00e1nu.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. J. R\u00f6sler: Auf das erste Veilchen \/ Na prvn\u00ed fialku<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Bu\u010f pozdraveno, d\u00edt\u011b jara, milovan\u00fd prvn\u00ed v\u00fdhonku! Najdu t\u011b? D\u011bkuji ti, \u017ee jsi unikl sp\u00e1nku<br>a rozkvetl jsi pro m\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V temn\u00e9m \u00fadol\u00ed u mal\u00e9ho pram\u00ednku kvetl jsi ve smutn\u00e9m h\u00e1vu, kropily t\u011b mal\u00e9 st\u0159\u00edbrn\u00e9 vlnky<br>a rann\u00ed rosa, dokud jsem t\u011b nena\u0161el j\u00e1, obr\u00e1zku m\u00e9ho \u017eivota.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Skryt\u00e1 a nevid\u011bn\u00e1 von\u00ed\u0161 jen p\u00e1r chladn\u00fdch jarn\u00edch r\u00e1n a pak sp\u011bch\u00e1\u0161 rozkladu vst\u0159\u00edc. Pot\u00e9 zase usne\u0161, milovan\u00e1 fialko, a tam, kde sp\u00ed\u0161, u\u017e nepozorovan\u011b kl\u00ed\u010d\u00ed mladi\u010dk\u00e9 fialky a budou sp\u011bchat ze sv\u011bta pry\u010d jako ty.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kdy i j\u00e1 ti\u0161e upadnu do sladk\u00e9ho sp\u00e1nku kv\u011btinov\u00e9 smrti? Kdy na m\u00e9m hrob\u011b po truchlen\u00ed<br>a z\u00e1rmutku rozkvete fialka? U\u017e vid\u00edm ten vzd\u00e1len\u00fd pahorek a radostn\u011b zdrav\u00edm sv\u016fj \u010dekaj\u00edc\u00ed hrob. Zasti\u0148 m\u011b sv\u00fdm k\u0159\u00eddlem, \u00f3 bo\u017esk\u00e1 smrti, vezmi si m\u011b!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. J. R\u00f6sler: Am Aschermittwoch \/ Na Popele\u010dn\u00ed st\u0159edu<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Daleko od radov\u00e1nek, zp\u011bvu a tanc\u016f, ti v tichu modlitby p\u0159ipom\u00ednaj\u00ed poh\u0159ebn\u00ed v\u011bnce<br>a popelec na \u010dele, \u017ee co se zrod\u00ed na zemi, mus\u00ed se prom\u011bnit v prach a popel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kde se ty\u010d\u00ed trofeje, v\u00edt\u011bzov\u00e9 j\u00e1saj\u00ed, n\u00e1rody se t\u0159esou strachy, tam je z d\u00e1lky sly\u0161et tlumen\u00fd v\u00edt\u011bzn\u00fd hlahol: kdo nos\u00ed vav\u0159\u00edny na zemi, mus\u00ed se prom\u011bnit v prach a popel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hle, chr\u00e1mov\u00fdmi s\u00edn\u011bmi bloud\u00ed mu\u017ei, kmeti i mlad\u00edci a matka, kter\u00e1 k sob\u011b tiskne sv\u00e9 nemluvn\u011b. Co na zemi kvete a dozr\u00e1v\u00e1, mus\u00ed se prom\u011bnit v prach a popel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Odlou\u010den\u00e1 od sv\u011bta, bez p\u0159\u00e1tel a bez sm\u00ed\u0159en\u00ed nahl\u00ed\u017e\u00ed v\u011brnost dol\u016f do hrobu pln\u00e9ho hniloby. Kdo tak \u0161\u00edlen\u011b miluje na zemi, mus\u00ed se tak\u00e9 prom\u011bnit v prach a popel?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ti, kdo vzhl\u00ed\u017eej\u00ed k nebi, zbo\u017en\u011b v\u011b\u0159\u00ed a prchaj\u00ed z t\u00e9to zem\u011b st\u00edn\u016f, kle\u010d\u00ed p\u0159ed neviditeln\u00fdm, \u00f3, ti vstanou z mrtv\u00fdch! V\u00edra nem\u016f\u017ee nikdy zahynout.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Na ztichl\u00fdch olt\u00e1\u0159\u00edch zvadl\u00e9 v\u011bnce se rozz\u00e1\u0159\u00ed. Znamen\u00ed popela p\u0159edstavuje v\u00fdznam \u017eivota a pom\u00edjivost hmotn\u00e9ho sv\u011bta: zem\u011b se prom\u011bn\u00ed v zem a duch bude veleben.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>V. J\u00edrovec: Trinklied \/ Pij\u00e1ck\u00e1 p\u00edse\u0148<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Poj\u010fme se radovat a hodovat, Hymen n\u00e1s doma k ja\u0159mu nep\u0159ipoutal. Jsme v\u0161ichni tak \u0161\u0165astn\u00ed, \u017ee jsme unikli Amorov\u00fdm \u0161\u00edp\u016fm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kdo chce b\u00fdt na zemi vesel\u00fd jako bohov\u00e9, a\u0165 pije jen v\u00edno. To vrh\u00e1 starosti dne\u0161ka i z\u00edt\u0159ka do \u0159eky L\u00e9th\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u016f\u017ee voda \u017eivotu d\u00e1t ten ohe\u0148, kter\u00fd v\u00edno rozn\u00edt\u00ed? Pry\u010d s vodou! Tu pije jen bled\u00fd, sklesl\u00fd b\u00e1sn\u00edk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V kruhu p\u0159\u00e1tel n\u00e1s poj\u00ed l\u00e1ska u l\u00e1hve pln\u00e9 v\u00edna. Tam mi nez\u00e1le\u017e\u00ed na tom, kdo je te\u010f kr\u00e1lem Peru.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jak m\u011b \u0161k\u00e1dl\u00ed ten lstiv\u00fd rarach ve v\u00edn\u011b! Na mou du\u0161i! Pol\u00edbit d\u00edvku te\u010f neodm\u00edtnu!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>J. J. R\u00f6sler: An die Entfernte \/ Vzd\u00e1len\u00e9mu<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Tak jsem T\u011b opravdu ztratila? Opravdu jsi mi, \u00f3 kr\u00e1sn\u00fd, utekl? St\u00e1le mi zn\u00ed v u\u0161\u00edch ka\u017ed\u00e9 Tv\u00e9 slovo, ka\u017ed\u00e9 hlesnut\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stejn\u011b jako rann\u00ed pohled tul\u00e1ka marn\u011b pronik\u00e1 vzduchem, kdy\u017e ukryt\u00fd v modr\u00e9 d\u00e1lce vysoko nad n\u00edm sk\u0159ivan zp\u00edv\u00e1: tak \u00fazkostn\u011b t\u011bk\u00e1 sem a tam p\u0159es pole, ke\u0159e a les m\u016fj pohled.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u0161echny m\u00e9 p\u00edsn\u011b T\u011b volaj\u00ed. Ach, vra\u0165 se ke mn\u011b, milovan\u00fd!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>P\u0159eklady p\u00edsn\u00ed Dorota Grossov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>pond\u011bl\u00ed 8. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v&nbsp;Olomouci, S\u00e1l V\u00e1clava III. \u00da\u010dinkuj\u00ed: Dorota Grossov\u00e1 \u2013 mezzosopr\u00e1nMartin Smutn\u00fd \u2013 klavichord Program: Jan Nepomuk Augustin&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1460","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/comments?post=1460"}],"version-history":[{"count":10,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1460\/revisions"}],"predecessor-version":[{"id":1479,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1460\/revisions\/1479"}],"wp:attachment":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/media?parent=1460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}