Ensemble Damian:<\/p>\n\n\n\n
Violino I \u2013 Martin Dost\u00e1l
Violino II \u2013 Daniel Podrou\u017eek
Violino III – Arnau Pet\u0159ivalsk\u00fd
Viola I \u2013 Tereza \u0160m\u00eddov\u00e1
Violoncello \u2013 Mariana T\u016fmov\u00e1
Cembalo, organo \u2013 Daria Savvateeva
Theorba \u2013 Jakub N\u011bme\u010dek<\/p>\n\n\n\n
Sc\u00e9na a kost\u00fdmy: Vendula Johnov\u00e1 a Tom\u00e1\u0161 Hanzl\u00edk<\/p>\n\n\n\n
Hudebn\u00ed nastudov\u00e1n\u00ed: Daria Savvateeva<\/p>\n\n\n\n
Re\u017eie: Marek \u0158ih\u00e1k<\/p>\n\n\n\n
R\u00e1di bychom pod\u011bkovali Jan\u00e1\u010dkov\u011b ope\u0159e N\u00e1rodn\u00edho divadla Brno za zap\u016fj\u010den\u00ed rekvizit a Davidu Albrechtovi za poskytnut\u00ed videomateri\u00e1lu.<\/p>\n\n\n\n
Alessandro Melani (4. \u00fanora 1639 \u2013 3. \u0159\u00edjna 1703) byl italsk\u00fd hudebn\u00ed skladatel, autor \u0159ady oper a oratori\u00ed, bratr skladatele Jacopa Melaniho a kastr\u00e1ta Atta Melaniho. Spolu s Bernardem Pasquinim a Alessandrem Scarlattim pat\u0159il k p\u0159edn\u00edm skladatel\u016fm p\u016fsob\u00edc\u00edm v \u0158\u00edm\u011b v 17. stolet\u00ed, a je tak krom\u011b skladatel\u016f sakr\u00e1ln\u00ed hudby \u0159azen tak\u00e9 ke druh\u00e9 \u0161kole \u0159\u00edmsk\u00fdch opern\u00edch skladatel\u016f, kter\u00e1 za\u010dala operou jeho bratra\u00a0Il Girello\u00a0<\/em>z roku 1668. Pape\u017esk\u00e9 konkl\u00e1ve Alessandra v roce 1667 pov\u011b\u0159ilo naps\u00e1n\u00edm opery (n\u00e1zev dnes nen\u00ed zn\u00e1m) pro karneval v roce 1668. Jeho dal\u0161\u00ed opera\u00a0L\u2019empio punito\u00a0<\/em>m\u011bla premi\u00e9ru o rok pozd\u011bji o karnevalu a zaj\u00edmavost\u00ed je, \u017ee jde o prvn\u00ed operu na t\u00e9ma Don Juan. V roce 1685 slo\u017eil oratorium\u00a0Golia abbattuto\u00a0<\/em>pro polsk\u00e9ho kr\u00e1le Jana III. Sobiesk\u00e9ho a o p\u011bt let pozd\u011bji slo\u017eil pozoruhodn\u00e9 oratorium\u00a0Lo scisma nel\u00a0sacerdozio\u00a0<\/em>(dnes ztracen\u00e9) pro Francesca II. d\u2019Este. Ze v\u0161ech oratori\u00ed, kter\u00e1 jsou mu p\u0159ipisov\u00e1na, v\u0161ak bylo nej\u010dast\u011bji uv\u00e1d\u011bno\u00a0Il fratricidio di Caino<\/em>.<\/p>\n\n\n\n Ob\u011b vok\u00e1ln\u011b instrument\u00e1ln\u00ed partitury dne\u0161n\u00edho programu se zachovaly v krasopisn\u00fdch a \u010d\u00e1ste\u010dn\u011b ilustrovan\u00fdch opisech ve sb\u00edrce Leopolda I. ve V\u00eddni.<\/p>\n\n\n\n Kain \u2013 Andrej Prach\u00e1r Text oratoria, jeho\u017e notov\u00fd manuskript se v Rakousk\u00e9 n\u00e1rodn\u00ed knihovn\u011b ve sb\u00edrce c\u00edsa\u0159e Leopolda I. dochoval pod n\u00e1zvem Il fratricidio di Caino,<\/em> poch\u00e1z\u00ed z roku 1678, av\u0161ak tiskem libreto vy\u0161lo v roce 1693 s n\u00e1zvem Il sagrifizio di Abel<\/em> (Ob\u011b\u0165 \u00c1belova) a dov\u011btkem: \u201eOratorium pro \u010dty\u0159i hlasy, prov\u00e1d\u011bn\u00e9 v kostele otc\u016f Kongregace Oratoria sv. Filipa Neriho ve Florencii<\/em>.\u201c I z dal\u0161\u00edch dobov\u00fdch tisk\u016f tak je z\u0159ejm\u00e9, \u017ee toto oratorium bylo po sv\u00e9 \u0159\u00edmsk\u00e9 premi\u00e9\u0159e v roce 1677 a v\u00edde\u0148sk\u00e9 premi\u00e9\u0159e v roce 1678 uv\u00e1d\u011bno i v dal\u0161\u00edch m\u011bstech (1682 Bologna, 1687 Modena). Autorem textu je Bendetto Panfili (1653-1730), kter\u00fd b\u011bhem sv\u00e9ho p\u016fsoben\u00ed v Bologni coby kardin\u00e1l v\u00fdznamn\u011b podporoval v\u0161echny druhy um\u011bn\u00ed a s\u00e1m se tak\u00e9 pod\u00edlel na vzniku hudebn\u011b-dramatick\u00fdch d\u011bl jako\u017eto libretista i skladatel. Jeho texty byly zhudeb\u0148ov\u00e1ny p\u0159edn\u00edmi skladateli t\u00e9 doby \u2013 Scarlattim, H\u00e4ndelem nebo Bononcinim.<\/p>\n\n\n\n Oratorium Kainova bratrovra\u017eda <\/em>(Il fratricidio di Caino) zpracov\u00e1v\u00e1 biblick\u00fd p\u0159\u00edb\u011bh Adama a Evy a jejich dvou syn\u016f Kaina a \u00c1bela, kte\u0159\u00ed jsou jako rodina poznamen\u00e1ni h\u0159\u00edchem rodi\u010d\u016f, kv\u016fli n\u011bmu\u017e byli vyhn\u00e1ni z r\u00e1je. Nyn\u00ed se nach\u00e1zej\u00ed v nehostinn\u00e9 ciz\u00ed zemi, do n\u00ed\u017e si p\u0159in\u00e1\u0161ej\u00ed jen drobn\u00e9 vzpom\u00ednky na sv\u016fj pobyt v Edenu, a hledaj\u00ed zp\u016fsob, jak se navr\u00e1tit a z\u00edskat zp\u011bt Bo\u017e\u00ed n\u00e1klonnost. Zat\u00edmco Kain m\u00e1 nad\u011bji v um\u011ble vytvo\u0159en\u00e9m obrazu r\u00e1je, \u00c1bel p\u0159ij\u00edm\u00e1 drsnou kr\u00e1su \u017eivota kolem sebe. Na Adamovo pob\u00eddnut\u00ed Kain ob\u011btuje P\u00e1nu rychle z\u00edskanou \u00farodu, kterou B\u016fh odm\u00edtne, zat\u00edmco \u00c1bel se rozhodne Bohu d\u00e1t sv\u00e9ho kr\u00e1sn\u00e9ho a milovan\u00e9ho ber\u00e1nka, kter\u00fd je Bohem p\u0159ijat. Tento soud Kaina rozl\u00edt\u00ed a v z\u00e1palu hn\u011bvu \u00c1bela zab\u00edj\u00ed. T\u00edm ztr\u00e1c\u00ed nad\u011bji na n\u00e1vrat do skute\u010dn\u00e9ho r\u00e1je a je odsouzen do\u017e\u00edt \u017eivot v nelib\u00e9m temn\u00e9m prost\u0159ed\u00ed.<\/p>\n\n\n\n Europa \u2013 Bed\u0159i\u0161ka Pon\u00ed\u017eilov\u00e1 Serenata L\u2019Europa byla Alessandrem Melanim naps\u00e1na pravd\u011bpodobn\u011b kolem roku 1667 na text nezn\u00e1m\u00e9ho autora. V t\u00e9m\u017ee roce byl Melani jmenov\u00e1n kapeln\u00edkem (maestro di cappella<\/em>) v Pistoii, kde v t\u00e9to funkci nahradil sv\u00e9ho bratra Jacopa. Krom\u011b V\u00eddn\u011b uv\u00e1d\u00ed literatura jako dal\u0161\u00ed m\u00edsto proveden\u00ed italskou Cortonu. Je tedy mo\u017en\u00e9, \u017ee se rukopis do sb\u00edrky Leopolda I. dostal a\u017e pozd\u011bji, po prohlouben\u00ed vztah\u016f mezi Melanim a habsburskou monarchi\u00ed. Ve sb\u00edrce Leopolda I. je v rukopisu zaps\u00e1no ozna\u010den\u00ed Introduttione<\/em>, tedy introdukce, co\u017e napov\u00edd\u00e1, \u017ee uveden\u00ed d\u00edla bylo spojeno s kulturn\u011b monument\u00e1ln\u00ed produkc\u00ed, kdy mohl n\u00e1sledovat nap\u0159\u00edklad na c\u00edsa\u0159sk\u00e9m dvo\u0159e obl\u00edben\u00fd ko\u0148sk\u00fd balet (Rossballett<\/em>).<\/p>\n\n\n\n Postava Europy je podle \u0159eck\u00e9 mytologie dcerou f\u00e9nick\u00e9ho kr\u00e1le, po n\u00ed\u017e zatou\u017eil Zeus. Prom\u011bn\u011bn v b\u00edl\u00e9ho b\u00fdka se vm\u00edsil do st\u00e1da jej\u00edho otce a vy\u010dkal, a\u017e si jej d\u00edvka, tr\u00e1v\u00edc\u00ed \u010das s p\u0159\u00edtelkyn\u011bmi na pob\u0159e\u017e\u00ed, v\u0161imne. Po po\u010d\u00e1te\u010dn\u00edm ostychu a letm\u00fdch dotyc\u00edch na n\u011bj Europa nasedla, \u010deho\u017e Zeus vyu\u017eil: sko\u010dil do mo\u0159e a odplaval s n\u00ed na Kr\u00e9tu. Tam s n\u00ed zplodil t\u0159i syny a u\u010dinil z n\u00ed prvn\u00ed kr\u00e9tskou kr\u00e1lovnu. Tak zapo\u010dala minojsk\u00e1 civilizace a kontinent, na n\u011bm\u017e tito lid\u00e9 \u017eili, z\u00edskal jm\u00e9no po sv\u00e9 prvn\u00ed panovnici.<\/p>\n\n\n\n Zaj\u00edmavost\u00ed je, \u017ee ke zkomponov\u00e1n\u00ed opery s touto tematikou byli Alessandrovi brat\u0159i osloveni Mattiasem de‘ Medici ji\u017e na konci roku 1652. Z d\u016fvodu jin\u00fdch z\u00e1vazk\u016f v\u0161ak zak\u00e1zku pro karneval v Parm\u011b odm\u00edtli. Operu (dramma per musica) s n\u00e1zvem Il ratto d\u2019Europa tak nakonec napsal Francesco Manelli na libreto Paola Emilia Fantuzziho. Pr\u00e1v\u011b v t\u00e9to verzi Europa za podpory sv\u00e9ho bratra Cadma prch\u00e1 na z\u00e1dech b\u00fdka p\u0159ed smluven\u00fdm man\u017eelstv\u00edm, podvoluje se Diovi a spole\u010dn\u011b oslavuj\u00ed Amora.<\/p>\n\n\n\n Europa jako\u017eto mlad\u00e1 princezna je vychov\u00e1v\u00e1na k vyt\u0159\u00edben\u00e9mu chov\u00e1n\u00ed. To v\u0161ak pro mladou d\u00edvku p\u0159edstavuje jen otravu, a Europa proto prch\u00e1 na mo\u0159sk\u00fd b\u0159eh, kde nach\u00e1z\u00ed vytou\u017een\u00fd klid. Ten je v\u0161ak naru\u0161en intrikami neposedn\u00e9ho Amora, kter\u00fd se rozhodne sezn\u00e1mit boha Jupitera s touto kr\u00e1snou d\u00edvkou. Aby Europa nepojala podez\u0159en\u00ed, \u017ee se na ni chyst\u00e1 l\u00e9\u010dka, p\u0159ich\u00e1z\u00ed k n\u00ed Jupiter prom\u011bn\u011bn v b\u00fdka. Europa se nejprve zv\u00ed\u0159ete lekne, av\u0161ak n\u00e1sledn\u011b v n\u011bm vid\u00ed potenci\u00e1l, jak se nav\u017edy vymanit z \u0159et\u011bz\u016f konvenc\u00ed kr\u00e1lovsk\u00e9ho dvora. Nech\u00e1v\u00e1 se Jupiterem obdarov\u00e1vat a neboj\u00ed se mu vzep\u0159\u00edt, kdy\u017e si mysl\u00ed, \u017ee ji z\u00edsk\u00e1 lusknut\u00edm prstu. Jakmile j\u00ed v\u0161ak Jupiter daruje to, co \u017e\u00e1dn\u00e1 jin\u00e1 m\u00edt nem\u016f\u017ee, pokorn\u011b p\u0159izn\u00e1v\u00e1, \u017ee Amorova l\u00e9\u010dka zafungovala a Jupiter je p\u00e1nem jej\u00edho srdce.<\/p>\n","protected":false},"excerpt":{"rendered":" ned\u011ble 7. 6. 2026 \/ 19:00 \/ Vlastiv\u011bdn\u00e9 muzeum v\u00a0Olomouci, S\u00e1l V\u00e1clava III. Ensemble Damian: Violino I \u2013 Martin Dost\u00e1lViolino II \u2013 Daniel Podrou\u017eekViolino III…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1480","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/comments?post=1480"}],"version-history":[{"count":1,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1480\/revisions"}],"predecessor-version":[{"id":1481,"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/pages\/1480\/revisions\/1481"}],"wp:attachment":[{"href":"https:\/\/festivalbaroko.cz\/2026\/wp-json\/wp\/v2\/media?parent=1480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\n\n\nIl fratricidio di Caino (1678)<\/strong><\/h2>\n\n\n\n
\u00c1bel \u2013 Laura Uhorskaiov\u00e1
Eva \u2013 Bed\u0159i\u0161ka Pon\u00ed\u017eilov\u00e1
Adam \u2013 Arnau Pet\u0159ivalsk\u00fd<\/p>\n\n\n\n
\n\n\n\nL\u2019Europa (cca 1667)<\/strong><\/h2>\n\n\n\n
Amore \u2013 Laura Uhorskaiov\u00e1
Giove \u2013 Andrej Prach\u00e1r<\/p>\n\n\n\n